Funny story: evidently my team just got f#¢ked on this deal, as when Michael was alive, we had been developing a musical utilizing his catalogue at his behest (admittedly on an informal basis, as he was paranoid about signing something ironclad with anyone; we have all kinds of records, such as emails back and forth, and corroborating witnesses, but I suppose it doesn't matter at this point), and there has been interest since his death in pursuing our project again, largely from figures connected to Sony and Michael's former management. Given the writing talent involved in our project, I can only assume hiring Lynn Nottage to do the book is grasping at hiring someone with a similar writing pedigree.
Creators of new theater, take heed -- if you're lucky enough to have the kind of talent that actually gets your work past square one, this is why you only work on original material not subject to extenuating variables. Nature of the beast.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28