Moments on Cast Recordings that drive you crazy — Page 2
#27
Posted: 10/2/06 at 9:24am
In the OBCR of INTO THE WOODS after 'Act II Prologue: So Happy" when the characters set off on another mission and their voices get fainter as they go deeper into the woods, and then Rapunzel has to ruin the moment by producing a shrill scream. I hate that! I understand that this happens in the show, but why include it in the recording? It's not like they follow up the scene. It just seems out of place... and annoying!
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
#28
Posted: 10/2/06 at 9:32am
shelley winters clearing her throat on the MINNIE'S BOYS obc recording. Her first line (spoken) GOOD MORNING LADIES (hack hack). Ok maybe it doesn't drive me crazy but didn't they do re-takes back then?
#29
Posted: 10/2/06 at 9:33am
Another Sutton moment. In the Drowsy Chaperone's "Fancy Dress", there's a part where they are supposed to whisper (while Bob Martin is talking) and her voice stands out from the others very distinctly. I assume because Sutton is on a different mic than the others that you can hear her voice more. Its just really annoying.
Happy...Everything!
Kaye Thompson
#30
Posted: 10/2/06 at 9:51am
I have another one: Whenever Anne Reinking sings in the CHICAGO revival cast recording. She sounds like she's channeling Gwen Verdon (from the OBCR) and since I don't care for Gwen's singing anyway, it grates on my nerves! Ugh!!!
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
#31
Posted: 10/2/06 at 10:32am
Stanley Wayne Mathis in Beethoven Day on the revival recording of YAGMCB. He is ridiculously flat on the last note of "when we all honor the man we adORE." Makes me NUTS.
#32
Posted: 10/2/06 at 10:34am
I have another one: Whenever Anne Reinking sings in the CHICAGO revival cast recording. She sounds like she's channeling Gwen Verdon (from the OBCR) and since I don't care for Gwen's singing anyway, it grates on my nerves! Ugh!!!
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Verdon is genius. Reinking is great. You grate my nerves.
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Verdon is genius. Reinking is great. You grate my nerves.
#33
Posted: 10/2/06 at 10:59am
I have a big "general" thing that drives me crazy about cast albums that were recorded in the '70s and '80s, mostly produced by the renowned (and WAY over-praised) Thomas Z. Shepard. The dynamics are so overdone that I am constantly adjusting the volume. The soft sections are WAY too soft, and the loud sections blow my head off. So I listen, with one hand on the volume control at all times, and that's REALLY IRRITATING. It never sounded that way in the theatre, or "live" and there is no reason to imitate the (lousy) style of many classical recordings from the same era, with the overly dramatic dynamic levels. It's wrong, it's badly done, and it makes for a very dissatisfying listening experience. (This includes virtually every early Sondheim recording, and many others from the same time period.)
One specific thing I can think of... as much as I LOVE and respect Donna McKechnie's abilities in A Chorus Line... I completely WINCE every time I hear her sing that first "PLAY me the music." It's so very... FLAT. Ouch! I love her interpretation of that song though... above anyone else who has attempted it, and the recording itself.
I also have problems with Jerry Orbach's pitch on Promises, Promises. He's as much as a half-STEP flat at times. Lordy!
One specific thing I can think of... as much as I LOVE and respect Donna McKechnie's abilities in A Chorus Line... I completely WINCE every time I hear her sing that first "PLAY me the music." It's so very... FLAT. Ouch! I love her interpretation of that song though... above anyone else who has attempted it, and the recording itself.
I also have problems with Jerry Orbach's pitch on Promises, Promises. He's as much as a half-STEP flat at times. Lordy!
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
#34
Posted: 10/2/06 at 11:43am
"Verdon is genius. Reinking is great. You grate my nerves."
God forbid I should have a dissenting opinion! So what? Their singing is not my cup of tea. Big deal! Get over it!
BTW: It was Reinking's imitation of Verdon on the recording that annoys me.
God forbid I should have a dissenting opinion! So what? Their singing is not my cup of tea. Big deal! Get over it!
BTW: It was Reinking's imitation of Verdon on the recording that annoys me.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
#35
Posted: 10/2/06 at 11:53am
Bernadette Peter's last note of "Unexpected Song" on the "Song and Dance--the Songs" OBC. It just sounds completely wrong, and I wince everytime I hear it. Other than that, I think the album is great.
And B12B--I totally agree with you on the whole loud/soft thing. Of course, that's also one of the reasons I seldom listen to classical music in the car. Too much adjustment necessary!
And B12B--I totally agree with you on the whole loud/soft thing. Of course, that's also one of the reasons I seldom listen to classical music in the car. Too much adjustment necessary!
#36
Posted: 10/2/06 at 12:08pm
In 'Defying Gravity' on the OBC of Wicked, when Idina says 'think of what we could do', she says 'do' kinda oddly. It sounds a bit like 'djhoo'. Listen to it, and you'll understand what I mean.
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"At the late night, double feature Picture Show"
#37
Posted: 10/2/06 at 12:14pm
1. The weird noise after"everyone deserves the chance to fly!"
2. When Bebe does the zzzzzzzzzzz in All that Jazzzzz
3. In Little Women, during "Better","Where itaaaaaall begaaaaan" and "Truround go back to Concord"
2. When Bebe does the zzzzzzzzzzz in All that Jazzzzz
3. In Little Women, during "Better","Where itaaaaaall begaaaaan" and "Truround go back to Concord"
#38
Posted: 10/2/06 at 12:16pm
There's a moment on the Avenue Q OBCR that always drives me nuts. During "I Wish I Could Go Back To College" when John Tartaglia starts his verse (at "In college you know who you are") when all of a sudden there's a very quiet bleeping/chirping noise in the background. What the hell is that??
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#39
Posted: 10/2/06 at 12:24pm
I never notice any of these things, but now that they've been pointed out they bug the crap out of me. Solution: never come in this thread.
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#40
Posted: 10/2/06 at 12:32pm
The Stritch/Company comment made me fall out of my chair. Thanks guys. Thanks.
As much as I love the show, the CR of Drowsy gets on my nerves so much. There's this one bit, where Bob Martin (this will be the first and last bad thing I say about this man), laughs as he's introducing Beatrice Stockwell/Stumble Along... "Even if it wasn't appropriate". The problem is, THAT MAKES NO SENSE TO THE CHARACTER.
End fuming.
As much as I love the show, the CR of Drowsy gets on my nerves so much. There's this one bit, where Bob Martin (this will be the first and last bad thing I say about this man), laughs as he's introducing Beatrice Stockwell/Stumble Along... "Even if it wasn't appropriate". The problem is, THAT MAKES NO SENSE TO THE CHARACTER.
End fuming.
SondheimGeek: Is it slightly pathetic that you guys get to be Jedi bitches, and I'm Bitchy the Hutt?
LizzieCurry: No, you're more memorable
LizzieCurry: No, you're more memorable
#41
Posted: 10/2/06 at 12:33pm
Dirty Rotten Scoundrels:
"They held up that midget with crazy glue."
Who is this midget Norbert sings of?
"They held up that midget with crazy glue."
Who is this midget Norbert sings of?
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
#42
Posted: 10/2/06 at 12:36pm
*seconds Matt*
I want to know about this midget!
I want to know about this midget!
SondheimGeek: Is it slightly pathetic that you guys get to be Jedi bitches, and I'm Bitchy the Hutt?
LizzieCurry: No, you're more memorable
LizzieCurry: No, you're more memorable
#43
Posted: 10/2/06 at 12:46pm
Mary Elizabeth Mastrantonio on the revival cast recording of Man of La Mancha during "It's All the Same". I like some of her other songs on the CD, but the way she does the "I'm not a fool/With starry eyes" part kills me. There's a bunch of other moments on different recordings that I can't think of right now.
"Writing should be easy, like a monkey driving a speedboat..." -[title of show]
"I'm tired of following my dreams. I'm just going to ask them where they're going and meet up with them later." -Mitch Hedberg
#44
Posted: 10/2/06 at 12:46pm
that reference is to a commerical that ran throughout the 80's to show how strong crazy glue was. They had this guy strapped into a hard hat, and then they glued the hard hat to a construction beam. Then the guy kind of hung there......
#45
Posted: 10/2/06 at 12:46pm
you honestly don't know? there's an old school commercial that had a construction worker who stuck crazy glue to the top of a workman's hat and the midget held on over a metal scaffolding.
#46
Posted: 10/2/06 at 1:00pm
Oh, ok, thanks.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
#47
Posted: 10/2/06 at 1:29pm
In the Seussical OBC, at the end of Amazing Mayzie, there's an octave jump on the last note. It sounds very squeeled and makes me insane. I don't really know how to describe it....it's just annoying to know that another take probably could have fixed it!
#48
Posted: 10/2/06 at 1:58pm
I hate "mmmm yeahhh " at the beginning of As Long As Your mine from Wicked.
#49
Posted: 10/2/06 at 2:08pm
Christmas Bells: Mark has this beautiful little melody but I can't understand what he's saying or if it's even him.
Bernarda Alba: During "Love Let Me Sing You" the old lady says something and she sings and it just sounds horrible.
Bernarda Alba: During "Love Let Me Sing You" the old lady says something and she sings and it just sounds horrible.
#50
Posted: 10/2/06 at 2:43pm
During "Red and Black" on the TAC recording of Les Miz, Michael Ball does this weird embellishment thing at the end of "my world if she's not there." It just seems really out of place.
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