I have a big "general" thing that drives me crazy about cast albums that were recorded in the '70s and '80s, mostly produced by the renowned (and WAY over-praised) Thomas Z. Shepard. The dynamics are so overdone that I am constantly adjusting the volume. The soft sections are WAY too soft, and the loud sections blow my head off. So I listen, with one hand on the volume control at all times, and that's REALLY IRRITATING. It never sounded that way in the theatre, or "live" and there is no reason to imitate the (lousy) style of many classical recordings from the same era, with the overly dramatic dynamic levels. It's wrong, it's badly done, and it makes for a very dissatisfying listening experience. (This includes virtually every early Sondheim recording, and many others from the same time period.)
One specific thing I can think of... as much as I LOVE and respect Donna McKechnie's abilities in A Chorus Line... I completely WINCE every time I hear her sing that first "PLAY me the music." It's so very... FLAT. Ouch! I love her interpretation of that song though... above anyone else who has attempted it, and the recording itself.
I also have problems with Jerry Orbach's pitch on Promises, Promises. He's as much as a half-STEP flat at times. Lordy!
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22