The 1976 revival of "MFL"opened the same year as "A Chorus Line", "Chicago", "Pacific Overtures" and ran for 377 performances. Ian Richardson as "Henry Higgins" and George Rose as "Alfred P. Doolittle" were both nominated for Best Lead Actor in a Musical Tony Awards; the winner was George Rose! Does anyone know if that particular production was significantly different from the original production? Jerry Orbach was also nominated for "Chicago". Does anyone have any relevant details? Could Leo Norbert Butz be considered for Lead next year?
The one thing I recall being different is that the 1st act ended as Eliza was in the midst of dancing with Karparthy. Higgins and Pickering stood with their backs to the audience and fingers crossed. Didn't the original curtain take place with their departure for the ball?
Think it was all because of the way the actors were billed above the title. Just like how Barbara Cook won for Best Featured Actress for Marian the Librarian, the lead role in The Music Man, or William Daniels was nominated for Best Featured Actor as John Adams in 1776.
I was lucky enough to have seen that production. I think the tickets were $15, for center third or four row in the orchestra. George Rose was wonderful. One bit I still remember was Richardson moving his lit match away from Rose's face when Rose started laughing. Jerry Orbach should have won the Best Actor Tony, though. The production was billed as a reproduction of the original staging. I think the sets were adjusted, though, because the Hellinger stage was larger than the St James. Act 1 ended with the Embassy Waltz. The curtain fell as Karpathy starts dancing (while conversing animatedly) with Eliza. The movie breaks just before the Embassy Waltz.
The 1976 revival was excellent. Ian Richardson's Higgins by show's end became more human. His voice cracked reciting the show's final line.
markypoo said: "The one thing I recall being different is that the 1st act ended as Eliza was in the midst of dancing with Karparthy. Higgins and Pickering stood with their backs to the audience and fingers crossed. Didn't the original curtain take place with their departure for the ball?"
You're confusing this revival with the Richard Chamberlain version quite a few years later
One of my favorite Broadway experiences ever, mainly because of Ian Richardson, whose beautiful speaking voice and pleasant singing voice and comic timing made this one of the best things I have seen. His delivery of "I've Grown Accustomed to Her Face" will never be equalled because it was a song of growing self awareness and heartbreak for a man who had so little of either before that moment.