The bottom line: the race for Best Musical has ended before it's even begun.
BILLY ELLIOT more than lives up to the hype, and for a first preview, I'm in awe at how tight and succinct it already is.
The cast is uniformely excellent. Haydn Gwynne brings just the right mixture of jaded bitchiness and earthy maternity as Mrs. Wilkinson, soaring while leading "Shine" and "Born to Boogie" (though the latter should truly soar once they fix the abrupt ending.) Greg Jbara is heartbreakingly earnest as Dad, and Santino Fontana shows the makings of what would have made him a stellar George in Roundabout's revival of SUNDAY... as Tony.
Carole Shelley is a riot as Grandma, particularly in the book scenes, but she missed most of the very specific "beats" in "We'd Go Dancing," though I expect she'll become more comfortable with it as the preview period goes on.
A very special mention also goes to Frank Dolce, who comes close to walking away with the show as Michael. His duet with Billy as they try on women's clothes to a parade of dancing dresses, "Expressing Yourself," was the big show stopper of the evening (next to the brilliantly choreographed "Solidarity" and the powerful eleven o'clock number "Electricity.")
And then there's Kiril Kulish, who is every bit the star and absolutely spellbinding in what is his first ever theatrical performance. A mature and starkly honest actor, great singer, and phenomenal dancer, I can't imagine anyone being better at this role than Kulish. His "Angry Dance" and "Electricity" were powerful and riveting. True perfection and a grand start for such a young performer.
With it being so early in the process, the show's not perfect yet. The pacing of act one needs tightening, and some of the numbers (primarily "We'd Go Dancing" [known as "Grandma's Song" in the West End production] and "Born to Boogie") seem to deflate as they truly start to pick up momentum.
Technically, things went rather smoothly, though a stage hand randomly walked out at the end of "Born to Boogie" to sturdy the table and catch Kiril Kulish as he made his big tumble. They also didn't get the black out quite right at the end of act one, so Kiril was seen walking off after he'd ended the song laying on the ground.
Some stage hands were also pretty visibly seen helping with quick changes on stage during "Merry Christmas, Maggie," but considering that Stephen Daldry warned during a pre-show speech that this would be the first time they've run the show without stopping, everything went off without a hitch.
The twists and turns of the set are absolutely marvelous. Ian MacNeil really finds a way to move the action just as naturally as the characters appear on stage. Similarly, lighting by Rick Fisher is stunning.
The political subject matter and strong accents translate extremely well to an American audience. Everyone in the packed house seemed positively riveted, and I didn't get a sense anyone felt isolated or disinterested in anything in the least.
The curtain call mega-mix tends to go on a little long, but it's great fun that ends the show on the right note.
The show is truly spectacular. I am anxious to return once it's opened and see how the creative team makes it even better as time goes on.
Running time was close to three hours with a fifteen minutes intermission, which seemed to be on track.
Feel free to ask any questions. I'll do my best to answer them.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
WishingOnlyWounds2, I didn't stage door, but it looked like a sizable crowd had already formed behind the barricades when I passed them on my way home.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Oh, that's good to know for the future. I'm hoping to get to see the show in December, but for the time of year and the show, finding tickets are impossible!
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
While I loved the show, I sometimes think the real star is Michael, in what is a showstopping scene stealing performance, everytime Michael appeared onstage during the Sydney production, the show soared to even greater heights.
New York is in for a treat a truly wonderful show.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
How are the accents? Are they using the thick "geordie" accent they do in London or something more accessible? Since it's mostly an American cast I'm intrigued by this.
Thanks for the review, somethingwicked! I wasn't sure if I should get a ticket for next week or not, but after reading your review I am convinced to see the show next week.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
"beyond all words" ... "divine" ... hey, they both work for me. Some would say that the truly divine IS beyond words, so ... I'm just trying to say, I think both of you are saying the same thing about Kiril, pretty much. :)
it is 3:00 AM in A Town PA, Billy Elliot no word can even begin to describe it. I made a semi long journey home. The entire time I don't feel tired or exhausted. I feel like i had a pick me up that will last 5 lifetimes. I never new such a experience existed. I am beyond words. I do have some stage door pics, i got autographs from the Mrs. Wilkinson, the father, Billy, the grandmother, and Stephen Daldry (Director of the show). But Ill post them later today. Take Care. And remember all you have to do is shine!!!
(I bought $250 worth of souvenirs. I was the 2nd merchandise sale of the play) :)
Herbie: "Honey, Don't you know there's a depression?"
Rose: "Of Course I know, I Watch Fox News"
-(modified)Gypsy
Broadway Schedule
December 5th- Hamilton, On Your Feet
December 19th- Noises Off, Edith Piaf Concert at Town Hall
Okay, if you want me to write down some actual words to describe Kiril's performance (although I think that my original "beyond all words" pretty much summed it up).... brilliant, spectacular, beautiful, heartwrenching, professional, dynamic, emotional, amazing, fantastic, perfect, a tour de force and one of the best performances that I have EVER seen on a Broadway stage.
I'd like to take the opportunity to attempt to avoid one or two pointless threads in May or June by asking this question: Can we all agree that this show will perform "Electricity" at the Tony's?
"I think of avant-garde as downtown shows where you rub waffles and chocolate on yourself."- Hunter Bell
Trekkie2, "Electricity" will definitely be the big part of their Tony performance, but I think the best bet would be a medley with "Solidarity" (which showcases almost the entire company and reveals part of the storyline) that leads into "Electricity."
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.