I just got back from the matinee at the Paper Mill. My friend and I enjoyed hearing the music from our childhood and teen years, and the actors and singers are talented. Young Jonny Amies did a fine job as a teenage Noone. But that's not enough to overcome the blah story. It's hard to believe that with all the vibrancy of the music scene in London in 1964, and the larger-than-life characters who lived then, this was the best that Rick Elice could come up with, especially with the help and input from Peter Noone of Herman's Hermits fame.
And with Jerry Mitchell at the helm, I expected some exciting choreography. There wasn't much dancing at all beyond what I would term "movement."
Updated On: 2/23/19 at 07:52 PM