I knew there was more to it then her just not "feeling well." She is incredible and IMO the best Broadway (musical) actress today. The first Broadway performance that had a real impact on me was when I saw Donna's last performance in The King and I, I couldn't believe it. I feel so lucky that I've gotten to see her do Wonderful Town, Follies, Passion (10 anniversary), Public benefit (she did a glorious "Writing on The Wall" and "Pirate Jenny"), and the Encores! bash benefit after 9/11 when she did "I happen to Like New York." That was probably the best delivery of a song I have ever experienced and the feeling I felt that night is still with me. I really can't wait to see LoveMusik.
I posted the New York Times link to the review of the 2001 Encores! Bash because I feel that it was probably Ben Brantley's best review because It really captures the essence of Donna's performance. Just scroll down to last five paragraphs if you only want to read about Donna. If you can't read it because you’re not a member I posted the last five paragraphs about Donna.
-----------------------
"If majesty was called for, Mr. Fisher and company provided it. The sublime Ms. Murphy, a two-time Tony winner who sent off fireworks for Encores! with 'Wonderful Town' two season ago, conveyed majesty and more with an 11 o'clock number that stopped the show. The song, by Cole Porter, had a deceptively casual title, 'I Happen to Like New York.'
But this was no blithe ode to urban pleasures à la 'We'll Take Manhattan.' 'I Happen to Like New York' is from 'The New Yorkers' (1930), and it has the haunting Depression-era grit and gravity of that show's biggest hit, 'Love for Sale.'
A repetition of one stark melody, rising in different keys to a bell-tolling climax, this lesser-known song exudes a hard-shelled sentimentality that is the essence of New York City. The same could be said of Ms. Murphy, standing stock still in a spotlight in a beaded sheath, her velvet voice woven with a defiance that suggested, 'What's it to you, buddy?'
The song's narrator concludes that given the choice of heaven or hell when she dies, she would prefer to stay in New York. As Ms. Murphy worked her way into this priceless summing up of New York arrogance, you could feel the whole house shivering.
If New York is in search of an anthem, it couldn't do better than this. And by the way, if she could bring the same qualities of control and command to politics that she brought to this number, Ms. Murphy would make a fabulous mayor."
Ben's review of the 2001 Encores! bash
Updated On: 4/30/07 at 12:29 AM