ON THE TWENTIETH CENTURY
YOU CAN'T TAKE IT WITH YOU
And I've heard that NATASHA, PIERRE & THE GREAT COMET is intent on bowing on Broadway, but have no clue as to a timeline or location for it to land.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.