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No one should ever bash Jason Carr's ALNM orchestrations again...

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#1

No one should ever bash Jason Carr's ALNM orchestrations again...

From the Centerstage Baltimore production of Night Music in 2008.
Whoever orchestrated this "chamber version" should never orchestrate a musical again. This sounds embarrassing.

http://www.youtube.com/watch?v=7t65vSoxOdM
http://www.youtube.com/watch?v=t_NU1AhhX0w

http://www.playbill.com/news/article/116074-PHOTO-CALL-A-Little-Night-Music-at-Baltimore-Centerstage

Updated On: 4/17/10 at 03:11 AM

#6

No one should ever bash Jason Carr's ALNM orchestrations again...

When performing, Barbara Walsh often looks and sounds like she'd rather be anywhere else in the world than on stage.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#7

No one should ever bash Jason Carr's ALNM orchestrations again...

The cast is amazing, but how old is Julia Osborne? She looks about 40 and she's playing Anne? I'd kill to see Polly Bergen! I have no idea who keeps casting Walsh. I've never enjoyed her.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal "I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
#9

No one should ever bash Jason Carr's ALNM orchestrations again...

I think Erin Davie's version is now my favorite. It is exquisite. I also think CZJ is such a remarkable actress and it just comes across on the recording. Listening to Barbara Walsh versus CZJ you realize just how talented CZJ is. Catherine's Desiree is just so delicious, full-bodied and full of life. To quote Elaine Stritch, "THATS COFFEE!!!!! THATS COFFEE!!!!!"
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal "I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
#13

No one should ever bash Jason Carr's ALNM orchestrations again...

Not knowing the circumstances of this 'chamber' orchestration, I think whomever did this did a fine job. It's nothing great, but I don't really think it's as heinous as some of you are saying. And, for all we know, the orchestrator was only given the very limited and weird combination we hear here.


However I'd like to have a talk with the music director. I doubt the chord at the end of "Glamorous Life" was the best they could have gotten out of those singers.
-Benjamin
--http://www.benjaminadgate.com/

Updated On: 4/17/10 at 09:02 PM

#16

No one should ever bash Jason Carr's ALNM orchestrations again...

I was sitting front row and she didn't look it.


And ljay, did you even see this production? You really have no right to judge this production over a few crappy audios. If you saw this production then say what you will but please don't judge it if you haven't.
#17

No one should ever bash Jason Carr's ALNM orchestrations again...

That's fine, but Petra is described as a 21-year-old in the libretto.

No I did not see the production, but I think I have the right to judge the orchestrations and vocal performances based on a full audio. I never judged the direction or production elements.

Updated On: 4/17/10 at 10:10 PM

#18

No one should ever bash Jason Carr's ALNM orchestrations again...

Petra may be described that way, but is she ever referred to that way? I think she could be any age - just sexy. In other words, Helen Mirren could play her - probably better than anyone else.
#20

No one should ever bash Jason Carr's ALNM orchestrations again...

The lyrics of "Miller's Son" express her youthfulness to me. "In the meanwhile." "It's a very short day...." "But I'll not have been dead when I die!"
The song is a celebration of being young and living in the moment, in my opinion.
And obviously the authors intended on her being young.

Updated On: 4/17/10 at 10:31 PM

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