We all have personal preferences and liking one over another should be expected. In some cases, it can be explained by how the material has resonated with us personally. But as Mamaleh expressed, shouldn't we all be celebrating that the success of the film adaptations of both shows may likely lead to more film musical projects in the future?
Re the 30-something casting of the barricade boys -- Hooper wanted to cast them in their early 20's initially, but pragmatism ruled that out. The West End provided the experienced performers who were no longer in their 20's, plus I suspect they were the concession to having both theatre capitals get representation in the film adaptation. The barricade boys and the factory girls from the West End...and Aaron Tveit from Broadway.
As to the alleged cowardice -- if you read the book, that is exactly what Hugo wrote. It was not so much a form of cowardice but "an instinct for self- preservation and a deeply implanted love of life" that had some of the young students seeking shelter in the houses by the barricade.
Hooper embued a stronger sense of realism into his film adaptation. He was more faithful to the novel by Victor Hugo than the book and musical score from the original creative team of the stage musical. That has also prompted his strong advocacy for live singing, as his cinematic vision focused on a masterful storytelling with the acting complemented by the appropriate singing choices. If that doesn't sit well with musical theatre purists- that is a matter of preference, too. I have just rewatched the movie adaptation and I am glad that it happened the way he envisioned it.
Re Into the Woods -- my bragging rights include having seen it in its original staging on Broadway. LOL- it was my first Sondheim and I must confess that I came out somewhat confused ( grim fairy tales and somewhat unusual music?)...But in my case, Sondheim has grown on me, and I ended up getting all available DVDs for my collection, including Evening Primrose ( which happen to include my favorite Sondheim song, I Remember Sky). I like Passion, too, because I do like more conventional melodies and it is one of his most melodic scores. But again, this is a personal preference, not necessarily passing judgement on what is better.
Btw, here is an audio clip of the film Valjean ( Hugh Jackman) singing a duet with Debra Byrne ( Fantine in Australia) from two songs from INTO THE WOODS : NO ONE IS ALONE and CHILDREN LISTEN. I think it is quite a poignant rendition.
https://www.youtube.com/watch?v=W14-bH2fWpo
Updated On: 12/29/14 at 03:29 PM
