#51
Posted: 6/17/09 at 3:57am
For me it would have to be Patti LuPone in Gypsy for musicals. Her "Rose's Turn" alone was one of the strongest moments of theater I have ever experienced. The two times I saw her I was shocked not only by how much she gave, but also by the way it seemed to come from a completely guttural place. Almost like theatrical vomit, just completely falling apart and throwing everything out there on the stage. It was not pretty, it was not nice, and it was not what you would expect from either this character who tried so hard to be close to that spotlight, to seem invincible, or from the 'Diva' Miss LuPone.
Anyway, for plays it's hands down Estelle Parsons. In terms of comedy, I was pleased enough to be front row at the first preview for Blithe Spirit and can say Angela's pitch-perfect performance takes the cake. However, I have never seen acting like what I saw in August: Osage County. Sure the play itself is fantastic. I think it's pretty difficult to screw up the role of Violet, since it's just SUCH a plum(p?) role. That being said, it is nowhere near an easy one. And Parsons' take on it was fragile, horrifying, acidic, decaying, conniving, bitter, playful, and all around wonderful. Above I referenced LuPone falling apart during "Rose's Turn", the last song in 'Gypsy'. Estelle Parsons shows us what it would be like if an entire play were her Rose's Turn (perhaps, VIOLET'S TURN). Although there is the inevitable breakdown, it is the slow descent into pill-popping, racial-slurring, family-destroying madness that truly makes her performance the best I have seen.
Oh, and I turn 23 in September.
Anyway, for plays it's hands down Estelle Parsons. In terms of comedy, I was pleased enough to be front row at the first preview for Blithe Spirit and can say Angela's pitch-perfect performance takes the cake. However, I have never seen acting like what I saw in August: Osage County. Sure the play itself is fantastic. I think it's pretty difficult to screw up the role of Violet, since it's just SUCH a plum(p?) role. That being said, it is nowhere near an easy one. And Parsons' take on it was fragile, horrifying, acidic, decaying, conniving, bitter, playful, and all around wonderful. Above I referenced LuPone falling apart during "Rose's Turn", the last song in 'Gypsy'. Estelle Parsons shows us what it would be like if an entire play were her Rose's Turn (perhaps, VIOLET'S TURN). Although there is the inevitable breakdown, it is the slow descent into pill-popping, racial-slurring, family-destroying madness that truly makes her performance the best I have seen.
Oh, and I turn 23 in September.
Updated On: 6/17/09 at 03:57 AM