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PRETTY WOMAN in Chicago — Page 5

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#101

PRETTY WOMAN in Chicago

Came back after looking through the Playbill to say that a song for Danieley’s character, “Money Makes the Man,” is listed but was not in the show today. Interesting because I also thought there was inadequate exposition for Edward, and that song title seems like it offered it?
#102

PRETTY WOMAN in Chicago

I saw the show on Thursday night. My friend in the show was nice enough to secure the rush tickets for me, so it worked out perfectly. The show is fun. That's all it's trying to be. It won't win critical acclaim or Tonys, but I think this show will have a healthy Broadway run. The audience was eating it up. People love the movie and it's something that will attract many demographics in NYC.

Lets make one thing absolutely clear, Samantha Barks is a star and THIS is her star vehicle. From the second she steps onstage she radiates charisma. Her voice is unbelievable, belting out song after song flawlessly. She will get major acclaim for her performance even if the show gets lukewarm reviews. Steve Kazee was fine. He's not my favorite performer, but he turns in a solid performance. I couldn't help but wish someone more interesting were playing Edward. I got into theatre and Broadway in 2010, just after Legally Blonde finished up in NYC and on tour. I've seen he MTV video and worn out the album, so I can't stress how much of a thrill it was to see Orfeh perform live in a musical. She's funny even if her role is an edgier Paulette, and her voice is absolutely insane. As others have said, Eric Anderson is a treat. He's wonderful in both of his roles and will surely be a contender come next Tony season for featured actor. Jason Danieley is a great talent, and I'm sad to say he's criminally underused in this show since his song was cut. It's a real shame that you cast that voice and he never really gets to sing. The ensemble was very strong and Allison Blackwell is a star on the rise.

Talking to my friend after the show, things are indeed in flux. I was told "Freedom" was rewritten and would be put into the show the following night (Friday, 4/6). Along with this the Act 1 finale is always being tinkered with. I was told the set would be beefed up for NYC, and that "Rodeo Drive" was in the process of being re-staged to include the male ensemble. This team is truly hard at work to make this show the best it can be, and I'm honestly looking forward to seeing what the show is when it opens on Broadway this summer.

#103

PRETTY WOMAN in Chicago

I saw this last night at the cavernous Oriental Theater, where the seating capacity is in excess of 2200. I’d agree with what seems to be the prevailing sentiment, which seems to be that Barks is a star and the show, while moderately entertaining, is not. I think the show will receive very mixed reviews when it opens in NY and will play about a year, not coming close to recouping.

I’m not even certain I can identify the target demographic for this show other than those who loved the movie.


CZJ at opening night party for A Little Night Music, Dec 13, 2009.

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