Hey, Blaxx!

I would love to "elaborate"...especially for you (long-time fan here). However, in order to do so, I would have to plunge head-first into the lukewarm cesspool of blandness in Ms. Paulus's backyard, which would require my being thoughtful, fair, engaging, witty, passionate, seductive, colorful, empathetic, pointed, exciting, skillful and communicative in my public commentary. (Perhaps not ALL of these, but one or two wouldn't be bad.)
In other words, in my effort to enlighten, connect or simply share ideas with my fellow theatre-lovers, you would like me to be all of the things in the creation of my meaningless post on BroadwayWorld.com (no offense, guys!) that Ms. Paulus *should have been* in the mounting of this major revival of an internationally revered modern opera.
I, an anonymous message board member, should spend time (for which I am not paid nor considered an "expert" in my field) trying to "recreate" for the reader the extremely bland blandness of Diane Paulus. You know, the director of this multi-million-dollar BROADWAY production of an American masterpiece by the 20th Century's Stephen Sondheim (and his big brother) that stars none-other than 4-time Tony Award (little "r-in-a-circle" inserted here, slightly raised) winner Audra McDonald. The musical's director with a completely sold-out Broadway house, seats in which cost people actual money to occupy (little "r-in-a-circle" inserted here, slightly raised) for a couple of hours.
Why should I spend any time trying to make Diane Paulus interesting when SHE didn't spend any time trying to make freaking PORGY AND BESS interesting?
"Be on your guard! Jerks on the loose!"
http://www.roches.com/television/ss83kod.html
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"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars