She was an instant scene stealer as the first Renee Divine on "One Life to Live", becoming involved with old lover Asa Buchannan and supporting friend Lee Halpern who had to deal with the controlling Elizabeth Sanders (the fabulous Lois Kibbee) after she married Elizabeth's son, Charles, who died shortly after. Phyllis didn't want a long term role so when they decided to make the character permanent, Phyllis stayed on until they could find a reputable replacement. It ended up being another Tony winning Broadway actress (Patricia Elliott) who remained on for many years.
In "Follies in Concert", Phyllis shared a delightful moment playing around with Elaine Stritch (who jokingly said, "You know, I've never liked you"
, repeating her Stella role in "Follies" later for the Paper Mill Playhouse production. Both are legendary. Years later, Elaine guest starred on "One Life to Live" (replacing Eileen Heckart) as Wilma Bern, and the majority of her scenes were with Patricia Elliott. I got to see the Mufti production of "Subways are For Sleeping" at the York several years ago, and it was quite understandable why Phyllis's character was the stand-out. The Paper Mill "Follies" CD is my favorite recording of the show, and the orchestrations for "Who's That Woman?" are fabulous.
One Grecian Ern