#1
Posted: 8/15/04 at 2:35pm
I had seen Frozen maybe three weeks ago. The night we went, Swoozie Kurtz was out and her understudy, Pippa Pearthree, played the mother of the slain child. I've never been that enamored with Kurtz, so the substitution was fine with me. I thought the play was terrific.
I had the opportunity to see it again last night, this time with
Swoozie. I found myself actually responding more to her than I had to Pearthree. Swoozie played the role with an edge of rawness. She managed to convey the sense that no matter how well she seemed to be coping in the decades following the murder of her daughter, a vein of suppressed hysteria was never far below the surface. She would draw close to exposing it at times, but never quite did. It was a complex and brilliant portrayal. The understudy I had seen the first time, gave a very good performance, but she had more of an air of overwhelming sadness about her. I identified more with Kurtz.
Bryan O'Byrne, as the killer, is just awesome. (Guess maybe that's why he won the Tony, huh?) Our seats tonight were on the opposite side of the stage and I was able to see some subtleties of his performance that I missed the first time. He captured so many layers of the troubled serial killer. His use of body language in his physical performance is a wonder.
::::
And in the you never know department, I was chatting with the
gentleman seated to may left at intermission and we came to discover that we both post on this site. I was honored, and frankly, speechless, to find myself talking one-on-one with our very own Al Dente.
I had the opportunity to see it again last night, this time with
Swoozie. I found myself actually responding more to her than I had to Pearthree. Swoozie played the role with an edge of rawness. She managed to convey the sense that no matter how well she seemed to be coping in the decades following the murder of her daughter, a vein of suppressed hysteria was never far below the surface. She would draw close to exposing it at times, but never quite did. It was a complex and brilliant portrayal. The understudy I had seen the first time, gave a very good performance, but she had more of an air of overwhelming sadness about her. I identified more with Kurtz.
Bryan O'Byrne, as the killer, is just awesome. (Guess maybe that's why he won the Tony, huh?) Our seats tonight were on the opposite side of the stage and I was able to see some subtleties of his performance that I missed the first time. He captured so many layers of the troubled serial killer. His use of body language in his physical performance is a wonder.
::::
And in the you never know department, I was chatting with the
gentleman seated to may left at intermission and we came to discover that we both post on this site. I was honored, and frankly, speechless, to find myself talking one-on-one with our very own Al Dente.
Sueleen Gay: "Here you go, Bitch, now go make some fukcing lemonade." 10/28/10