I understand why people get a little riled about Contact being nominated as a musical, but there aren't enough ballets produced on Broadway to warrant it as a category. Swan Lake, Movin' Out, The Times They Are-A-Changin' and Come Fly With Me are the only other others in the last 20 years or so, all categorized as musicals for the purposes of the Tony awards. I do think the omission of Swan Lake for Musical Revival was rather odd as it was considered a musical by any other category (winning 3 Tonys) and it garnered much stronger praise than Little Me, Peter Pan or Charlie Brown.
The critical role the music (pre-recorded or not) played in the production coupled with book's use of narrative, character, and structure placed it into the musical category rather than as a play or special event. This wasn't a touring "feature" show like Blast or Riverdance, nor was it a concert event, stand-up or memoir performance. Nor was it a "play with music", which would have been slightly more appropriate for The Dead, though like Contact, the use of music was far more critical to the production than a "play with music" where the music plays a featured role, mostly in setting.
That being said, I do think Contact was a better show than the other musical nominees and its award was well-deserved. Had it not been nominated for Best Musical, Marie Christine or Aida would have taken the slot and Aida might have won simply for its commercialism, though personally, I would give it to Wild Party or The Dead.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 5/25/10 at 01:24 PM