One of the plusses of the original was it's lean n'mean look and staging. Longbottom, famous for the Radio City Christmas show, went in the opposite direction and resisted an over-produced look. He achieved something very special setting the show in a black void. He used of light and darkness, shadows and very simple effect. Set pieces (like "We Share Everything") really blossomed. He had just the right take on the proper tone for the material. It was often funny but never campy -- and how easily it could've been.
I love the score, for its accessibility as much as anything. I disagree with those who feel the music's too schizophrenic. I actually love Krieger's use of pop-infused power ballads opposite pastiche numbers, but one of its best features is its recitative, employing for the entire show what DREAMGIRLS uses in "It's All Over," so that the big emotional numbers grew out of a gathering melodic momentum.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling