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STAIRWAY TO PARADISE...heavenly in every respect

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#1

STAIRWAY TO PARADISE...heavenly in every respect

Only two chances left, so make sure you see it!

The musical revue is alive and well and living at City Center (through Monday, at least). Stairway to Paradise, conceived by Jack Viertel and directed with vigor by Jerry Zaks, charts the progression of this uniquely American phenomonon that took Broadway by storm in the first half of the last century. In true revue form, there's almost no book to speak of (other than two comic scenes that are adeptly performed), and each number flows beautifully into the next. The creative team smartly culled both fanciful slapstick numbers ("Triplets", "Pack Up Your Sins and Go to the Devil") and social commentary ("Brother, Can You Spare a Dime?", "Supper Time"), giving the audience a full view of the genre's spectrum. The ebullient cast makes sure that the material never feels mothbitten, with Kristin Chenoweth tearing through what little scenery there is and Christopher Fitzgerald raising the adorable factor to 11. The star of the evening, though, was Ruthie Henshall, whose sultry alto voice is perfect for torch songs like "Ev'ry Time We Say Goodbye". Frankly, this is the closest I've been to theatrical paradise in quite some time.
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"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#7

re: STAIRWAY TO PARADISE...heavenly in every respect- well, not every respect...

my thoughts - for what its worth...

The show was ok - good at points, flat at others. It did move - so at least the flat places didn't last long. At times it felt like a mass of confusion, it seemed too much was going on - perhaps that's the idea of a revue - ITA Ruthie Henshall was great in the 2 songs they gave her, as was the tapping of Kendrick Jones. Over-used were singers that were just 'ok' (Michael Gruber, Kevin Chamberlin) And under-used were great singers like J. Mark McVey and Ruthie Henshall. A duet with these two would have been awesome. (ok - yes, I am a huge J. Mark McVey fan and want to see him in something that would really showoff his talent). The last song just kinda came and went - I would have thought they would have pulled out some really dynamic ensemble revue song for that - but that didn't happen. All in all - it was entertaining - but, not for full price orchestra! re: STAIRWAY TO PARADISE...heavenly in every respect- well, not every respect... IMHO

Updated On: 5/13/07 at 06:34 AM

#8

re: STAIRWAY TO PARADISE...heavenly in every respect

J. Mark McVey was wonderful, too. It was nice to see him as someone other than Jean Valjean. re: STAIRWAY TO PARADISE...heavenly in every respect I agree that Ruthie should've gotten "Dancing in the Dark", but that's such a star number that they had to give it to Kristin, and she definitely did it justice. All in all, a delightful evening.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#9

re: STAIRWAY TO PARADISE...heavenly in every respect

It was very good. Quite pleasant. Kristin was fine, but Christopher Fitzgerald was the main standout. He was fantastic. And Capthia Jenkins brought down the house with "My Handyman Ain't Handy No More". The best thing Kristin really did that night was "Pack Up Your Sins and Got to the Devil" and a the scene where everyone was sneezing (what was the name of those flowers?)

Altogether it was an extremely pleasant night. Though, nothing spectacular I'd say.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
#10

re: STAIRWAY TO PARADISE...heavenly in every respect

Goldenrods
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#11

re: STAIRWAY TO PARADISE...heavenly in every respect

I think the one who impressed me the most was Kevin Chamberlin and I just adored the two numbers that Christopher Fitzgerald, Kevin Chamberlin, and Kristin performed together. Sheer musical comedy bliss!
#12

re: STAIRWAY TO PARADISE - Sparkle Kristi Sparkle!

I've always loved Kristin, but surprisingly I found a little of her went a LONG way at STAIRWAY TO PARADISE.
She may not be quite the one-trick pony that her detracters claim, but she was just a bit too cheerleader-squeaky for me this time.

"Hurry up and get into your conga clothes - we've got to do something to save this show!"

Updated On: 5/13/07 at 12:55 PM

#13

re: STAIRWAY TO PARADISE - Sparkle Kristi Sparkle!

The only number that Krisin really impressed me on and didn't annoy me was her last number, "Guess Who I Saw Today". She didn't put on a gimmick. She stood there and sang the song beautifully, without putting on some cheesy act. The rest of her stuff really annoyed me. I wish Capathia and Ruthie had much to do (Ruthie didn't get the chance to show off how much power she has behind that voice). Also, Jenn Gambatese was surprisingly good. I usually don't like her, but I thought she did an excellent job! Any girl who can eat a hot dog and sing at the same time without having a noticable change in voice is good in my book. re: STAIRWAY TO PARADISE - Sparkle Kristi Sparkle!
#14

re: STAIRWAY TO PARADISE - Sparkle Kristi Sparkle!

I loved it and had a great time! Sure, parts of it didn't work as well as other, but this is the first time Encores! has ever created a "new" piece. Pretty darn good with no "out of town" tryout.

I hope it gets recorded (doubtfully, but...).

The goldenrod scene nearly killed me. I'm still laughing...
"It's not so much do what you like, as it is that you like what you do." SS

"Time flies like an arrow, fruit flies like a banana." GMarx
#15

re: STAIRWAY TO PARADISE - Sparkle Kristi Sparkle!

I disliked Jenn Gambatese and whatever his name was. They were unmemorable, and I just waited for their numbers to be over. Oh! Especially that guy whose character was always hiting on Jenn, he was just awful, I felt.

The only crime that they committed was not putting Ruthie onstage more.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
#17

re: STAIRWAY TO PARADISE

haven't heard anything about a recording - but, I guess anything is possible.
#18

re: STAIRWAY TO PARADISE

"I disliked Jenn Gambatese and whatever his name was. They were unmemorable, and I just waited for their numbers to be over. Oh! Especially that guy whose character was always hiting on Jenn, he was just awful, I felt."

I found that they were both very good vocally. The numbers they chose for them weren't great and somewhat boring, but I think that she vocally she was pretty solid. It's not her fault she was given forgettable numbers.
#19

re: STAIRWAY TO PARADISE

I'm so glad I saw this. I was just in a trance for the entirety.

Christopher Fitzgerald stole show, IMO in "I'm Gonna Murder The Bugle Boy" and such..
Deet: Shira, I Love You!
#20

re: STAIRWAY TO PARADISE

Wow! I loved the "Rhode Island" number that Jenn did...one of my favorites. Also their renditions of "I'll Take Manhattan" and "Mountain Greenery" are some of Rodgers and Hart's best work!

You should hear Ella Fitzgerald's recording of "Mountain Greenery"--stunning!
"It's not so much do what you like, as it is that you like what you do." SS

"Time flies like an arrow, fruit flies like a banana." GMarx
#21

re: STAIRWAY TO PARADISE

I love the songs. I just thought that they had NO personality on stage whatsoever.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
#22

re: STAIRWAY TO PARADISE

wickedfan: I'll give you that, the songs were great, but I do admit that the personalities were lacking...

However, after only 10 days of rehearsal, they did a pretty damn good job!

Jenn must have been happy to just be in a different show for a bit! I assume she must love working with Josh (who wouldn't) but that show she's in...umm and after a year...nice change for her.

Remember, "Follies" type shows were all about diversity. She was playing the "pretty girl". She did it well. The songs were about getting her to pay attention to the "other boys". Old formula; still works!

As diverse as the old "Follies" were--they were never politically correct to modern standards.

Oy, the Encores! team had to work hard to keep the racist humor to a tolerable level. Times have changed!

(Or maybe not! I love South Park--they have found the balance of timely and disgusting; and make it work--"Naggers" anyone?)

Still, the goldenrod sketch is the funniest, stupidest sketch I've seen since I first saw it a 1000 years ago... (soo stupid it's funny!!)

Like I said earlier on this thread, I'm still laughing...

(I was sitting near to Brantley and we both were out of control laughing at the scene)

The whole point of the journey of the "Stairway" is that television replaced the form.

It's interesting that the revue form--again during a period of war and change--is back in fashion.

I'm DROWSY, thinking about it... hehehe
"It's not so much do what you like, as it is that you like what you do." SS

"Time flies like an arrow, fruit flies like a banana." GMarx
#23

re: STAIRWAY TO PARADISE

I will echo a comment made earlier. My problem with this show was the under use of 'great' voices in favor of mediocre voices. Why on earth hire the fantastic Ruthie Henshal and awesome J. Mark McVey if only to have them do one or two songs while giving more to Gruber - and others? Were they just hired for their name recognition? I doubt it since this was a 'Cheno' vehicle. At least Ruthie Henshal got two songs, while J. Mark McVey basically got one. He did open the show - but, the reprise of this song in the second act turned out to simply be a lead in for another Cheno song. Yes, she has a wonderful voice, but, heard it a bit too much. The other thing was Jenn G & Co. One song from them was fine - two was too much.

Don't get me wrong, I did enjoy the show - but, the things mentioned above faded the night a bit for me.
#24

re: STAIRWAY TO PARADISE

The absolute star was the tap-dancer, Kendrick Jones. He could have been plucked from that cast and time-transported to one of the classic revues they were celebrating, and he would have stood out there too.

Ruthie Henshall, I'm sorry to say, was boring. She sang Memories of you without distinction and made a mush out of Ev'ry Time We Say Goodbye. How can you NOT reach a climax on the line "How strange the change from major to minor"? Her role was to be the Dramatic Ballad Singer in the revue, like Helen Morgan coming out on a piano top, but she was dull.

Kristin had been better in other situations, but she has become one of the immediately funny people, like Lucille Ball and Martha Raye and Bea Lillie were: The moment she comes onstage, you start laughing and everything she does makes you laugh more. The sneezing sketch was so funny because every time she sneezed, she lifted her knee. You saw it coming a mile away and you STILL laughed each time.

Christopher Fitzgerald and Kevin Chamberlin met the vaudeville material and had fun with it. Chamberlin's one "serious" number (Spare a Dime) came off better than Fitzgerald's (I Left My Heart at the Stage Door Canteen), but that might have been because Chamberlin had the better material. The two of them were terrific with Kristin in Triplets--another silly number that makes me laugh every time I hear it, even though it's essentially a one-joke song. (What's so funny about "High-chair! High-chair!"?--if you have to ask, you just don't get it.)

I liked Jenn Gambatese and Shonn Wiley. They gave just enough sparkle to the conventional lovers, and their "Rhode Island Is Famous for You" was a delight.

Michael Gruber needs to have more fun if he's going to be a 1930s/40s/50s song-and-dance man. He was a little grim and tight, something Gene and Fred and Donald never were. Those are big shoes to fill, but he needs to have had the kind of brio that Kendrick Jones brought to the tap numbers.

All in all, Jerry Zaks did a wonderful job putting this together, but Encores just shouldn't be doing "original" material. Why didn't they just do the original Band Wagon?

Updated On: 5/14/07 at 08:24 AM

#25

re: STAIRWAY TO PARADISE

ive heard Ruthie sing 'Dancing in The Dark' in Fosse... AMAZING!
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