I saw it a couple weeks ago from rush seats. I got there just before 10 and there was a couple in front of me and another woman. The woman was inquiring about the rush for a pair of students that were with her in the city, and the guy said that they didn't have many seats at all for the show (so I'd recommend getting there as close to 10 as you can, should you decide to go).
I thought overall the show was worth seeing for my $25. I don't think I'd go back again (other than the curiosity factor for the last few moments that happened so fast, I wasn't able to take it all in). I liked the show a hell of a lot better than I remember liking The Weir, but I don't think it was worthy of the raves it got from most critics.
Oh, and mef, I totally agree about Platt's accent. I don't think he was necessarily horrible all around, but he did seem to have a different accent in each scene. I specifically remember there being a Liverpool accent in there somewhere, and wondering "Why is Paul McCartney on stage?!?!" I do think he did a commendable job with the dialogue that must have looked incredibly daunting on the page. While it was difficult to listen to at times, he definitely spoke the way I'd imagine someone freaked out by the violent death of his wife, going to their first meetings meetings with a shrink would...all the "ums," "ers," and changing thought mid-sentance.
Anyway, John, if you can get rush, I guess I'd recommend seeing it before it closes (especially if you don't have anything else pressing to catch on you To-See list).
But when did New Hampshire become--Such a backward wasteland of seatbelt hating crazies?...I mean, only 40 people actually live there. The others are just visitors who come for the tax-free liquor and three inches of novelty coastline. John Hodgeman on The Daily Show (1-30-07)