Slave Play coming to Broadway in September?

Apparently for a limited run. Per a casting notice:
First Preview: September 10,2019
Closing: January 20,2020

No theater mentioned.

Slave Play - NYC EPA

There will be DISCOURSE.

SomethingPeculiar said: "Golden? Or the timing worksperfectlyfor it to go into the Longacre betweenPromand (rumored)Six."

I feel like I read/heard Rudin was behind this so I could see the Golden. But how will this fare on Broadway?

So clearly, Teyonah Parris isn't transferring with the show, but is everyone else? I thought the NYTW cast was stellar across the board. I wonder if they have faith in the script to sell tickets or if they want to pad it with bigger names.

Clyde15 said: "https://www.broadwayworld.com/article/BREAKING-Jeremy-O-Harris-SLAVE-PLAY-To-Play-Broadways-Golden-Theatre-This-Fall-20190620

It’s playing the Golden Theatre"

It looks like this article was taken down, since it just redirects to the Broadwayworld homepage now. I wonder if there was some press embargo on it or if it's not actually playing the Golden after all.

Yes, DADDY definitely was. But Slave Play is actually pretty good.

I wonder how much if at all this will change for the transfer -- especially in terms of staging and the set

BJR said: "Yes, DADDY definitely was. ButSlave Playis actually pretty good."

Contrary to the majority opinion, I actually liked Daddy much more than I liked Slave Play. One of my favorite plays of the year, and probably top ten of the decade. I found it fascinating and brilliant from start to end, particularly its use of melodrama to explore identity and religion. I'm excited to see Slave Play again though, hoping I can get my mind to wrap around it a bit better after it through me a curveball in previews at NYTW. I had no idea what I was getting myself into, and it needs another look at for sure.

Officially announced for the Golden.

Previews start 9/10

Not sure how to feel about this one. I think it's stronger than DADDY was, but to me, they both felt like incredibly promising works from a playwright who will be an exciting talent once he gets past some of his more obvious efforts to shock. He does use the play's shock value to try to say something. I think he hasn't perfected the ability to get past the concept enough and as deeply into the themes and ideas as he obviously intends to. My fear is that if his first work is getting this much attention, there seems to be a chance he'll not be challenged enough to be the even better writer I believe he has the potential to become. But who knows? Maybe the play is more successful than I thought it was. For sure, there are going to be some raised eyebrows at the Golden!

Mike Barrett said: "Trying not to get spoiled much, but how graphic is this show? Terrible idea to see it with my catholic parents?"

Quite. Unless they are highly unorthodox, I'd say it's a terrible idea. NYTW had dedicated staff at every performance to talk through potential trauma.