Chorus Member Joined: 9/29/16
Maybe this has been discussed before, but I have seen some productions this Fall where there were standout performances, but the show didn't go over well with reviewers. Have you? If so, name them here.
Mine are: HAROLD PERRINEAU in The CHERRY ORCHARD
CORBIN BLUE in HOLIDAY INN
And then there are some new cast that took over for Hamilton that I wish could be nominated, but alas, I know the rules.
My favorite historical example of this is when Patricia Routledge won a Best Actress Tony for a show that closed in under two weeks...
Broadwaybeauty2, are you asking for examples of winners of the Tony in the show that wasn't a hit? or asking for our opinion on performances you think deserved the Tony but didn't (also in a show that wasn't a hit)? the thread title seems to differ than the content of your OP
Broadway Legend Joined: 9/11/16
Donna Murphy in Passion
While Passion wasn't a hit, it was still running during the awards, so it wasn't sure at that time whether or not it would be financially successful. In recent years, it is often shows that have closed by the time of the awards that have little chance of winning (the Ragtime and Spring Awakening revival, Bridges of Madison County, ect.).
Ado Annie D'Ysquith said: "My favorite historical example of this is when Patricia Routledge won a Best Actress Tony for a show that closed in under two weeks...
"
You don't have your facts straight. Darling of the Day wasn't a hit, but it stayed open for 5 weeks. Perhaps you're thinking of Dolores Gray, who won the Best Actress Tony for Carnival in Flanders, which closed after six performances.
Recently, Michele Pawk won for Hollywood Arms which had been closed for months at that point.
Broadway Legend Joined: 7/29/08
Carolee Carmello was nominated for Scandalous, and Norbert won for Catch Me If You Can.
Broadway Star Joined: 12/20/15
I don't think a lot of people would consider 'Thr Father' a hit.
The Father was a limited engagement and received a rave review from the Times.
Angela Lansbury for Dear World -- it only ran for 132 performances.
AC126748, I WAS thinking of Patricia, but for some reason I thought Darling of the Day had a much shorter run. Thanks for the correction.
Would David Hyde Pierce for Curtains count? Was that show a "hit"?
The difficulty with questions like this is exactly where a show crosses into "hit" territory is defined differently depending on who you ask...
If you want to be strictly technical, you're only a hit if you recoup.
Some will say you're a hit if your limited run extends.
You could be a hit if you're critically acclaimed and win Tonys.
You may be a hit if you run for a very long period of time.
Or, some would argue that "cult classics" with none of these traits have their own hit quality.
Andrea Martin in MY FAVORITE YEAR comes to mind.
Julie White bested Vanessa Redgrave (among others) for Best Actress in a Play for The Little Dog Laughed, which closed in February of that year. I don't remember the category being super competitive, and Julie White had gotten raves for that play, but she certainly seemed very surprised to win.
Was "Catch Me If You Can" considered a hit? It didn't run very long, but Norbert did get a Tony for it.
Stand-by Joined: 11/3/16
Oh my god, so many examples: Alexis Smith in Follies (I know, a brilliant show, but I'm pretty sure it lost its entire capitalization), Barry Bostwick in the Robber Bridegroom, Phil Silvers in the revival of A Funny Thing... I'm sure there are many many more.
Chorus Member Joined: 9/29/16
I would love both actually, but current ones would be great.
Love the story of the two week close, then Tony!
Chorus Member Joined: 9/29/16
I guess I am thinking, a show, not reviewed well at all. But still some standout performances. I think the easy calls are the BIG Ben Brantley reviewed well stories. Obviously those all get nominated, and everyone in them.
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