I went to the opening last night (I saw Peter Donaldson during the intermission! Wanted to say hi, but thought it'd be weird). Sadly, I didn't like the play as much as I thought I would. It was enjoyable, but I'm a little perplexed as to why it won the Tony for Best Play (maybe it was a weak year, or the Broadway production was exceptionally good?).
I agree with Link's assessment: the play had interesting themes, but I felt that they were only half-explored. What was I supposed to get out of TAKE ME OUT? Darren Lemming's coming out was taken surprisingly well by his team members. The Mazon Marzac character seemed to serve little purpose other than as comic relief. The play was entertaining (if the first act was a a bit too long), but I wasn't wowed, or even emotionally invested, at any time. I was much more impressed by Canstage's VIGIL a few months ago -- that's a play that they should take south of the border.
The vernacular of the "baseball players" was a stretch: I understand why Kippy sounds like an academic, but why to most of the other baseball players speak in such a heightened language? Greenberg was most likely trying to bring out the poetic rhythm of his writing, but it's jarring to hear such lines coming out of
baseball players (not to say that baseball players can't sound smart, but they're certainly not known to be as eloquent as they are in the play). Tennessee Williams wrote beautiful, poetic dialogue, but his characters still speak in their own proper vernacular. It's hard to buy in this play.
The nudity was interesting, and I understand its purpose and effect, but some of it (under this direction, anyway) did feel gratuitous. Still, can't complain about some eye candy. Like most stage nudity, however, the novelty wears off after five seconds, and their naked bodies become another form of costume.
The standout for me was Matthew Macfadzean as Kippy -- he delivered the most charismatic and natural performance. With his boyish charm and "good buddy" demeanour, he was a very likeable narrator and character. If Darren Lemming wasn't so explicitly the central figure of the play, I would think that Kippy was the protagonist.
David Storch was fantastic, but did the character of Mason Marzac get as annoying on Broadway? The character begins charming enough, but by the end of the play the shtick gets irritating -- the character advances little beyond charicature, and it's somewhat tiring by the last scene.
Mike Shara was fine, but not a standout for me. I also wasn't impressed with Thom Allison, and I agree that he delivered his lines with a "radio voice" (is it written into the play like that?). It was hard to believe his performance -- it didn't seem natural to me.
Maybe I'm being too negative about this play -- I DID enjoy it, it just wasn't affecting as I thought it would be. Maybe it was the baseball factor, but I felt distanced from the events onstage the entire time.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."