The "LIGHT" goes out! — Page 6

Yesterday's final performance of Piazza was one of the most moving performances I've ever attended. The electricity in the house was through the roof!

I'll just say this: As Aaron was singing his last duet with Katie, I looked over (Adam Guettel was sitting in the isle, on a step right next to me) and watched as Adam responded as Aaron and Katie were singing his music. I couldn't believe that I was sitting right next to the man who wrote the amazing music to Piazza- That moment has come and gone but it sure will stick with me forever- That whole final performance will-

And yes- Michael B did in fact end up spraining his ankle. With the Chorus Line coming up, I hope he heals soon:)

Piazza- we sure will miss yoU!

Seriously, Enchanted Hunter - can you name FIVE shows you actually like?

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Hopefully this show will be represented in a venue where a limited engagement wont be a burden to this wonderful show. Though it was extended I believe 4 times, it needs to live much longer than just a little over a year.

i agree threatXthree .

I will star in this show someday...in regional theater of course.
CV

ENCHANTEDHUNTER.... then don't bother reading on this topic. People here enjoyed the show (and we don't always agree on who we liked best or WHY we did). So, you hate the show..... GREAT! It's closed! Just be happy and YOU move on!

"Floyd Collins" is widely done in the regionals and has won many, many local awards there. "Piazza" will do likewise.

Ah, Katie gave a good show. She grows on you. Glad she's not on the CD, but you know.

FOR THE RECORD, I don't think she's a bad singer by any means. Just this score may have been a little beyond her.

There's been a lot of talk over on ATC with people arguing over the relative merits of Piazza. Generally people who like it will say that people who don't like it just don't get it, to which some of the haters respond by pointing up their vast knowledge of musical theater (and music), assuming a pompous tone ala TheEnchantedHunter and declaring that they are well equipped to tell good music from bad music. They then start high fiving each other for being among a vocal minority who comprehend but still do not like the show while spinning their Mame LPs.

But you know? I think maybe... if they don't like it... well, they DON'T get it. I mean, if you don't like something, you can understand it but still not really get why it's so special.

And Piazza was a very special show. I'm fine with people not digging it, whatever. But don't come in and hate, because Piazza was far from "half-baked" and not the slightest bit pretentious. It was a carefully wrought show full of more honest emotion than I've ever seen on the stage and Adam Guettel is an artist who always follows his instincts to great results. Not for nothing critics came away applauding the fact that the musical theater was actually telling stories about real people.

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i was so sad that I couldnt be there for closing night. great show.

I was lucky enough to see this wonderful show when i was in the city for my first time. I am sad to see it go but luckily it is going on tour and i'll be able to see it again and share it with my family and friends. I am also very happy that aaron lazar is going to be in the les mis "revival" (or whatever it's being classified as) since it is my favorite show and he was very good as fabrizio. good luck to katie clarke - she should have a wonderful and long career.

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After reflecting on the last performance, I decided to write a semi-review semi-personal reflection. Be warned, its lengthy.

I had the great fortune of attending the closing performance of The Light in the Piazza on Sunday July 2nd by a stroke of luck for the 5th time. At around 11am, I decided that I couldn't resist passing up an opportunity to try and grab a student rush ticket. I hopped on the PATH and was in NYC by 12:35pm. After getting to Lincoln Center, I discovered that they were making the student tixs avilable at 1pm and was 10th in line. When I got my ticket, I discovered that I was in the last row of the loge. Eh I was there, right?! On a side note, during intermission I moved to a front row seat that was empty during act 1!!! After going to midtown to grab lunch and help my sister get a ticket to Bridge and Tunnel, I caught a subway uptown to LITP and arrived 15 minutes before curtain. The lights dimmed and the audience thunderously applauded the beginning of the overture. This excitement only built when Katie and finally Victoria entered. She even got a standing ovation which I had only seen previously at the last performance of GYPSY 2003.

On a more personal note, I was bawling from the first note of the overture to the last note during fable. It was such a wonderful ending to a true original broadway show, one of the best in the last ten years. Everyone in the cast was unbelievable but special appreciation goes to Victoria, Michael, Patti and Sarah. All put everything they had into their roles that night and made it an unforgettable experience. During curtain call, the whole cast was in tears which in turn made me cry even more. One person in the audience even shouted "Thank you!" to the cast when Victoria was mentioning a few thank you's. Adam Guettel and the rest of the creative team came on stage and we were treated to confetti to celebrate the occassion.

Unforgettable moments in the show included:
-Victoria Clark and the coversation with Mr. Johnson. So damn powerful. You could feel her pain.
- American Dance sequence with Michael Barresse
-Lets Walk- the last moments with Sig. and Margaret lingered on for quite sometime
-Fable-during the climax of the number, Victoria recieved energetic applause from the audience. It was freaking unbelievable!
- right before the last bit of dialogue in the show, there was a moment when everything was quite and one could actually hear everyone in the audience crying and sniffiling.

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You should have, L4C... I would have...

But I was too busy sobbing...