Eric, they've been cheating with those numbers for years now. They have frequently touted themselves as the longest-running musical in the world or show in NYC, both of which are patently false but they can kinda fudge it and get away with it. They also celebrated some-thousandth performance of the show, a patently impossible number I forget now, by combining the runs of the two productions.
And Patash, that PERFECT CRIME review reminded me of my friends' own: "The only Perfect Crime is that people pay money to see that." Not as pithy as yours, but somehow I doubt your friends and mine are the same. Oh, that show...
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.