One must truly marvel at the fact that this play is making the move. It must be noted, this play is a VERY acquired taste, as most of Will Eno's plays tend to be. I suppose we shall see how this fares in a commercial venue.
I think the only potential theaters are the Cort, Walter Kerr, or Lyceum. However, the Cort has No Man's Land/ Godot until March 30 which wouldn't work with the April 6 opening. Gentlemans Guide seems to have settled nicely into the Kerr. My bet is for the Lyceum after seeing this weeks numbers. Does anyone have other guesses?
The article says a Shubert theater, so that eliminates the Walter Kerr... I'm with supersam, most likely the Lyceum unless an announced incoming production falls through.
ETA- In response to the below, the Cort is occupied until March 30th and REALISTIC JONESES is slated to start previews in mid-March. HEDWIG... has the Belasco after the Shakespeare repertory.
Updated On: 1/13/14 at 04:31 PM
It has to be the Lyceum unless that find a way to squeeze it into the Cort in a week or two after No Man's Land/Godot close. But that seems extremely unlikely.
Looking through the list of Shubert theaters and grosses, I was peeking at Chicago's numbers. I wonder if that could possibly be winding down its run in the next year. It is still consistent, but I wonder if grosses might be dipping low enough that they'll roll the dice on getting a higher earner in there.
Letts hasnt been gone long enough to have a "return". Woolf only closed last March.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
You would think if it is definitely planning on taking the Lyceum they would've just posted the Joplin closing notice already. Possibly Joplin is cheap enough to run that it's still making money? Maybe Mothers & Sons or Velocity of Autumn might fall through? Maybe they are waiting to see how Bridges does?
Agreed. Having seen it out of town I am mystified as to its appeal. I thought it was slim and annoyingly self conscious. I confess, though, the cast is impressive.
I don't know much about the story other than what was in the New York Times review, but the cast is fantastic. It's a shame Parker Posey won't come with it, but if it means Toni Colette comes back to Broadway, I'm ok with it! :)
@jeffmiele, JONESES is nothing like DETROIT, in any way. Tonally and stylistically, the play teeters on absurdity/hyper-realism. Whereas, in Detroit, the play is much more conventional with a (mostly) accessible plot line and characters.
I am seeing it next week! Super excited. Very interested it see how it is, since almost nothing has been stated about the plot. But I am interested to go into a play completed fresh as I haven't done that in a very long time.