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The five best 11 o'clock numbers in Broadway history — Page 5

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#101

The five best 11 o'clock numbers in Broadway history

Having seen all but Caroline or Change (although I have seen select performances from the show), I would swap out Fly Fly Away with What I Did For Love.


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"I wish the stage were as narrow as the wire of a tightrope dancer, so that no incompetent would dare step upon it." Goethe
#102

The five best 11 o'clock numbers in Broadway history

"Sit Down You're Rockin' The Boat" from GUYS AND DOLLS. One of the best 11 o'clock numbers ever. If that song doesn't fit the mold of 'a song to wake the audience up near the end of the show and send them out smiling and singing' I don't know what does. The '92 revival was thrilling.
#104

The five best 11 o'clock numbers in Broadway history

^^^If you're using Sondheim's traditional definition of "11 o'clock number" as a mid-Act II showstopper, then no.

If you're using the seemingly more common and contemporary definition of "climactic aria", then yes, "Meditation II" fulfills that purpose.

The starting times of Broadway shows have changed over the years and so has what happens at 11 pm.

Updated On: 8/7/13 at 07:43 PM

#105

The five best 11 o'clock numbers in Broadway history

I think "Is Anybody There?" works so well because the moment really begins with "Compliments", and the arrival of Abigail's shipment of saltpetre (Adams high), Washington's most recent and most doleful dispatch (Adams low), and then the song itself (Adams resolute). A real roller-coaster ride, and terrific theatre writing.


Well-well-well-what-do-you-think-of-that-I-have-nothing-here-to-pay-my-train-fare-with-only-large-bills-fives-and-sevens....

Updated On: 8/7/13 at 09:33 PM

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