Its 1981 New York premiere was a disaster but this told-in-reverse musical became a Tony award-winning hit with Daniel Radcliffe. The film version is a tear-jerking joy
I think it's weird to call a pro shot "the film version," but it is nice to see a show I always liked (and worked as a dresser on in a late '80's production) recieve strong accolades.
I think Maria or Sonia Friedman described it as being edited more like a film so maybe less audience shots? I dunno.
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