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"To Be With You" in Love's Labour's Lost

"To Be With You" in Love's Labour's Lost

tazber Profile Photo
tazber
#1"To Be With You" in Love's Labour's Lost
Posted: 5/14/15 at 2:10pm

WTF?


Right in the middle of a fantastic Friedman score they shoehorn in To Be With You by 80s hair metal band Mr. Big.


It seems so ridiculously random, but I didn't see the show.


Was there some reason behind this?


....but the world goes 'round

brdway411
#2reply
Posted: 5/14/15 at 2:20pm

I saw it. There was a reason but I dont remember what it was. 

neonlightsxo
#2reply
Posted: 5/14/15 at 2:30pm

The whole show was kind of a cluster****. (Can I say that here?) It made little to no sense.

JBroadway Profile Photo
JBroadway
#3"To Be With You" In Love's Labour's Lost
Posted: 5/14/15 at 2:34pm

If I remember correctly, it was during the part when the men disguise themselves. In Act 5 of the Shakespeare play, the men dress as Russians and entertain the ladies. In this version, instead of dressing us as Russians, they dressed up as a kind of Scandinavian boyband. I think that's when they sang To Be With You

brdway411
#4"To Be with you"
Posted: 5/14/15 at 2:37pm

That is it. I know there was a reason. 

tazber Profile Photo
tazber
#5LLL
Posted: 5/14/15 at 2:42pm

Yea, it's the song they preform for the ladies.


Sorry to hear the show was a mess. I love the score.


Thanks for your feedback guys! LLL


....but the world goes 'round

JBroadway Profile Photo
JBroadway
#6LLL
Posted: 5/14/15 at 2:53pm

I didn't find the show to be a mess at all. I thought it was very funny, entertaining and well-performed. 

neonlightsxo
#7LLL
Posted: 5/14/15 at 3:06pm

OK.

Mister Matt Profile Photo
Mister Matt
#8LLL
Posted: 5/14/15 at 3:33pm

I didn't see the show, but I love the recording.  And even though I had a sense of what was going on with the "disguise" and everything, I was still so pleasantly surprised when that song popped up.  It's both silly and delightful.


"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian

JBroadway Profile Photo
JBroadway
#9LLL
Posted: 5/14/15 at 3:50pm

EDIT: nevermind

Updated On: 5/14/15 at 03:50 PM

Kad Profile Photo
Kad
#10LLL
Posted: 5/14/15 at 4:27pm

There was no real reason that that particular song was chosen and not an original song.


I thought the production as a whole was kind of a more-is-more misfire, with an incredibly jarring tonal shift in the last minutes, but I do think Friedman's score is actually quite good.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Updated On: 5/14/15 at 04:27 PM

JBroadway Profile Photo
JBroadway
#11LLL
Posted: 5/14/15 at 4:44pm

"with an incredibly jarring tonal shift in the last minutes"


That was because Shakespeare's play ends the same way. Many people believe the play had a sequel which was lost. That's why the play (and subsequent musical) ends so weirdly - it's probably incomplete.

neonlightsxo
#12LLL
Posted: 5/14/15 at 4:52pm

Your affection for the show is not going to change our minds. We can agree to disagree. http://www.nytimes.com/2013/08/13/theater/reviews/loves-labours-lost-loosely-speaking-in-central-park.html?_r=0


"Despite the fancy full-dress production, the whole enterprise starts to feel (perhaps appropriately, but not satisfyingly) like a college revue, slapped together by honors students during a Red Bull-fueled all-nighter."

Updated On: 5/14/15 at 04:52 PM

JBroadway Profile Photo
JBroadway
#13LLL
Posted: 5/14/15 at 5:27pm

I wasn't trying to change your mind. I didn't even say I disagreed with Kad. I was just remarking why the show had such a weird ending. I agree that it was weird and random, but it's the same as Shakespeare's ending. 


Neon, I'm pretty tired of your unnecessarily abrasive responses to my posts (including those in that thread about Off-broadway shows) so I'm going to put you on my "ignore user" list. Bye! :) 

Kad Profile Photo
Kad
#14LLL
Posted: 5/14/15 at 5:31pm

I'm familiar with the play and am aware of the ending. However, the play itself is not as anarchic and extravgant as the musical adaptation was. Anachronistic humor,  splashy production numbers, a goddamn marching band- all suddenly undercut by a jarring shift back to the original text, performed very straight and sober. 


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Updated On: 5/15/15 at 05:31 PM

StageStruckLad Profile Photo
StageStruckLad
#15LLL
Posted: 5/15/15 at 8:54am

I'm with you JBroadway. It was one of my favorite shows from 2013. Great performances, fun staging, and a great original cast recording.

tazber Profile Photo
tazber
#16LLL
Posted: 5/15/15 at 9:58am

I wonder why Friedman didn't just write a boy-band type of song for that scene.


Weird.


But the guys do a great rendition of the song and I love it.


....but the world goes 'round

Fantod Profile Photo
Fantod
#17LLL
Posted: 5/15/15 at 10:27am

Hoy a fan of the reocrding. Everything I didn't like about Andrew Jackson seemed to be what they repeated on that album. It just tried to hard to be quirky. I didn't know To Be With You wasn't an original song, but I think it actually was one of the best numbers on the album. Go figure. 

Kad Profile Photo
Kad
#18LLL
Posted: 5/15/15 at 10:48am

Incidentally, Brantley didn't know the song was not by Friedman in his initial review, either. It was subsequently corrected, of course.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

tazber Profile Photo
tazber
#19LLL
Posted: 5/15/15 at 10:59am

It was a huge hit back when I was a kid. It was everywhere.


Westlife covered it more recently.


The original version


 


 


....but the world goes 'round

neonlightsxo
#20LLL
Posted: 5/15/15 at 11:59am

Yeah, there was no song list in the playbill if I remember correctly.


 


JBroadway I literally could not care less.

temms Profile Photo
temms
#21LLL
Posted: 5/15/15 at 12:26pm

I also didn't know the song and couldn't figure out why suddenly at the end of a lackluster score Michael Friedman pulled out a song a thousand times catchier than anything else. I sat there wondering if my ears were wrong, could a song in a Shakespeare In The Park show really be a radio hit? Because it sounded like it could be a radio hit. My whole perception of Friedman as a composer changed. 


Only after the the show when I mentioned to my friend that I had to give MF credit because he really can write a great pop song was I informed that he didn't write it. 


I did like the show, despite its faults. It felt like the perfect thing for a summer evening at the Delacorte with a great company. 


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