Broadway Legend Joined: 5/27/14
Most "experts(whoever they are?)" categorize the Great American Songbook coming from songs written from 1919-1959. While there is no official list, they often include 270 some songs collected for a jazz musicians "bluebook" and are filled with songs by Gershwin, Porter, Rodgers & Hart, Rodgers & Hammerstein, Berlin, Kern, Johnny Mercer, Harold Arlen and the other great songwriters of the day.
What are some songs written 1960 through today that would be YOUR MUST INCLUDES in a modern Great American Songbook? (these should ideally be songs that an individual male or female singer could do a fantastic rendition of backed only by a piano. guitar or trio)
Broadway Legend Joined: 5/27/14
broadwaysfguy said: "Most "experts(whoever they are?)" categorize the Great American Songbook coming from songs written from 1919-1959. While there is no official list, they often include 270 some songs collected for a jazz musicians "bluebook" and are filled with songs by Gershwin, Porter, Rodgers & Hart, Rodgers & Hammerstein, Berlin, Kern, Johnny Mercer, Harold Arlenand the other great songwriters of the day.
What are some songs written 1960 through today that would be YOUR MUST INCLUDES in a modern Great American Songbook? (these should ideally be songs that an individual male or female singer could do a fantastic rendition of backed only by a piano.guitar or trio)
"
"Hallelujah" is the only true modern "standard" I can think of, where the song exists as its own being divorced from a single "definitive" performance. Though Leonard Cohen wrote and debuted it, his recording isn't considered the essential one, and every singer worth their salt is expected to try the song eventually- most covering not Cohen's original, but either the John Cale version (see: Rufus Wainwright) or the Jeff Buckley version (see: Justin Timberlake).
Broadway Legend Joined: 5/27/14
i certainly would have hallelujah on the modern standards list!
I would also add
Wonderful World Louie Armstrong
Imagine John Lennon
others folks????
Broadway Legend Joined: 7/28/05
As an exercise, I'm gonna sift through a list of every show nominated for best musical since 1961 and name any extremely famous songs that pop in my head. My personal rule to limit myself will be one max per show, and only songs by American composers written for the respective shows (to the best of my knowledge).
Put on a Happy Face
I Believe in You
Hello, Dolly!
People
If I Were a Rich Man
Impossible Dream
Hey, Big Spender
Cabaret
Let the Sunshine In
I'll Never Fall in Love Again
Being Alive
Broadway Baby
Summer Lovin'
Send in the Clowns
Corner of the Sky
Home
What I Did for Love
All That Jazz
Tomorrow
Not While I'm Around
And I Am Telling You
I Am What I Am
Beauty and the Beast
Seasons of Love
Defying Gravity
She Used to Be Mine
A modern American songbook would almost entirely exclude any song that is on topic here. The strongest case I can think of would be songs like American Idiot and 21 Guns, and some might bristle at them on the ground they were written as a song cycle rather than a musical in the first instance (although, of course, a number of the "classic" songbook songs were written first and put in shows later as well). Otherwise, except for a very few crossovers, almost none of Broadway since the 50s has been a part of the soundtrack of our lives.
Broadway Legend Joined: 5/27/14
hi Hogan
I would agree with you that most of broadway's popular songs from the 1960s on were less the soundtrack of most peoples lives (except for musical lovers like the board members) on than influences from pop music first, movies second, then probably TV and musical theatre after that.
That being said, a number of songs that originated in musicals I think could be considered "modern standards" the criteria of being extremely popular songs in musical theatre, combined with the sheer beauty of the song, recognition by many other artists recording renditions of the song, and popular artists covering the song in their shows
A number of standards I found in the jazz cheat book when i researched them were not THE top hits at their time, they were included because they were popular at some level, sounded great when performed live, and requested by listeners/guests, so they were added to the book. for example, Lets misbehave by cole porter only charted at #18 yet its clearly a porter standard and favorite.
Among the sondheim catalog, I would consider:
Send in the Clowns (actually was a big hit with judy collins)
Being Alive
No One is Alone
Other modern era musical songs to consider could be
Memories from Cats
I dreamed a dream-les miserables
From movies that became musicals, it may make sense to include:
A whole new world
Circle of Life
Beauty and the Beast
Can you feel the love tonight
From Movie Musicals
the theme from New York, New York
the way we were
people
My Favorite Things
All that Jazz
From Pop Music:
yesterday
god only knows
sounds of silence
stand by me
my heart will go on
I will always love you
you are so beautiful
youve lost that lovin' feeling
and many many others....
@broadwaysfguy,
well... I'd probably go along with 2-3 of the songs arising from musicals (in any form), but if we are going to talk about untethered pop songs, that's a whole different discussion.
If only Leonard Cohen and Joni MItchell and Bruce Cockburn weren't Canadian...
Apart from them, so many but here's a short list:
Fast Car, Baby Can I Hold You? Tracy Chapman
Time After Time Cyndi Lauper
Wichita Lineman, Still Within the Sound of My Voice and countless others Jimmy Webb
Cigarettes and Chocolate Milk, Poses etc. Rufus Wainwright (Canadian-American)
This Gun's For Hire, Born to Run among countless others Bruce Springsteen
What's Goin' On? Marvin Gaye
Heard it Through the Grapevine Norman Whitfield and Barrett Strong
Sittin' on the Dock of the Bay Otis Redding and Steve Cropper
King of the Road, World's Apart Roger Miller
Mississippi Goddam Nina Simone
Sounds of Silence, America among countless others Paul Simon
Lily, Rosemary and the Jack of Hearts, The Times They Are a'Changin' among countless others Bob Dylan
Me and My Arrow, Everybody's Talkin' at Me Harry Nillsson
You Were Always On My Mind Willy Nelson
Boulder to Birmingham Emmylou Harris and Bill Danoff
Girls Just Want to Have Fun Robert Hazzard
I Drove All Night, True Colors, Billy Steinberg and Tom Kelly
Knowing When to Leave, Do You Know the Way to San Jose? etc. Bacharach and David
I Still Have That Other Girl, Toledo etc. Bacharach and Costello
Brick, Kate, etc. Ben Folds
Coat of Many Colors, Jolene and countless others Dolly Parton
The Book of Love Stephen Merritt
Send in the Clowns, Sooner or Later etc. Stephen Sondheim
Cabaret, All That Jazz etc. Kander and Ebb
I Don't Want to Know, If He Walked Into My Life etc. Jerry Herman
My Favorite Things, Love, Look Away etc. Rodgers and Hammerstein
Where Do I Go?, Aquarius etc. Ragni and Rado
Everything's Coming Up Roses, All I Need Now is the Girl Styne and Sondheim
Take Good Care of My Baby, Up on the Roof (unless that was the 50s) etc. King and Goffin
It's Too Late, You've Got a Friend etc. Carole King
Sweet Baby James, Fire and Rain among countless others James Taylor
And When I Die, Stony End and countless others Laura Nyro
Society's Child, Stars among many others. Janice Ian
Let's Go Crazy Purple Rain and countless others Prince
Take Me to the River Al Green and Mabon Hodges
Once in a Lifetime Byrne, Weymouth, Eno et all
"Oops... I did it Again"
"Poker Face"
"Despacito"
"Tomorrow" (from ANNIE)
"Jamaica Ska"
"Up the Ladder to the Roof"
"Send in the Clowns" (from A LITTLE NIGHT MUSIC)
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