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Which comic hero would best translate to the musical stage?

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#1

Which comic hero would best translate to the musical stage?

Batman is a good choice with his tragic childood and colourful enemies. On the other hand the phantom (is that his name in english) already has a well established brandname within the musical business. And its the owners of his rights who could sue ALW and not the other way around. I dont think that the swedish socialdemocratic bear called Bamse who gets superstrong when he consume honey has much of a chance.

Updated On: 8/5/06 at 07:56 PM

#2

re: Which comic hero would best translate to the musical stage?

Who are you referring to? Who could sue ALW for Phantom?
And it's ALW, Lloyd Webber, not Webber Lloyd.

Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE

Updated On: 8/5/06 at 07:59 PM

#3

re: Which comic hero would best translate to the musical stage?

That was not the serious part of my message. The main part was that phantom already is a well established brand name within the musical business. However the cartoon is older then the musical (atlhough younger then the novel by gaston laroux, something) so i guess it would be okay for the rightsholders of the phantom cartoons to make a musical called the phantom.
#4

re: Which comic hero would best translate to the musical stage?

There was a Superman musical (IT'S A BIRD! IT'S A PLANE! IT'S... SUPERMAN!) back in the '60s. Don't ask me how they pulled it off.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
#8

re: Which comic hero would best translate to the musical stage?

There was, with a score by Jim Steinman, but Warner Bros. pulled the plug on it. A few samples of the score were posted here a couple of weeks ago, but they were pretty awful. Thank God it's not going anywhere.

That said, I still think a Batman musical could work if done by a creative team of great vision. I don't think it would work as a tradition proscenium stage Broadway musical, but if it were done as an environmental piece, with Batman swinging around the theater and stuff, it could be awesome. Maybe at Madison Square Garden?
#11

re: Which comic hero would best translate to the musical stage?

They had It's A Bird It's A Plane It's Superman......that sucked.
"I'm tellin' you, the only times I really feel the presence of God are when I'm having sex and during a great Broadway musical." - Nathan Lane - Jeffrey
#12

re: Which comic hero would best translate to the musical stage?

Maybe The Sandman
the Crow or Punisher as a rock opera
Dick Tracy
Batman is trying

but really, these would all prolly suck
You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl

"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor

"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl

"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
#14

re: Which comic hero would best translate to the musical stage?

"It's a Bird It's a Plane It's Superman" was supposedly a decent show, actually. It received mostly positive reviews, and I have the CD, which is pretty decent. However, it did have a pretty short run and is infrequently revived as it is VERY hokey, more in the George Reeves 1950's style than like the modern Superman we know. There was a pretty long thread on it a while ago.
#17

re: Which comic hero would best translate to the musical stage?

actually now that I think about it...The Crow could make a pretty good rock opera
You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl

"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor

"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl

"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
#18

re: Which comic hero would best translate to the musical stage?

It's a Bird...Superman is going to have a staged concert reading on Nov. 2oth at the Alex Theater in Pasadena. It's being put on by the Musical Theater Guild and I doubt there will be anybody famous in the show.
#19

re: Which comic hero would best translate to the musical stage?

zzannahk, the Phantom mentioned here is not the phantom from POTO. THE PHANTOM was/is a comic book serial and then it became a film ten years ago starring Billy Zane. I don't know much about this character nor have I seen the movie, but I know it has nothing to do with Gaston Leroux's (sic) PHANTOM or the subsequent ALW musical.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
#21

re: Which comic hero would best translate to the musical stage?


Two things, Distinctive Baritone:
Steinman's Batman score is awesome
and 2) You're not playing The Joker I am :P

Get it right!

LOL

Who can explain it, who can tell you why? Fools give you reasons, wise men never try -South Pacific
#22

re: Which comic hero would best translate to the musical stage?

Well, they did have that BUFFY musical episode so it may work on stage.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
#23

re: Which comic hero would best translate to the musical stage?

jason robert brown said in a interview that he was writing a buffy musical, but couldnt get thr right from wb to do it
Attend the tale of Bovine Boy His party threads we all enjoy But does he have Mad Cow Disease? He doesn't eat beef - but cows skating? - oh please!!! With cocoa!?! And lemonade!?! The heifer-mad poster of Broadway (World)
#24

re: Which comic hero would best translate to the musical stage?

The Phantom has appeared in newspapers for decades. The basic story is that The Phantom is immortal. He wears a purple head to toe costume. He fights "pirates" - e.g. bad guys. In truth, The Phantom has been several people over the decades - the position being passed down from father to son to son to son. He lives in a cave in Africa. It's basic problem is the good white man protecting Africa. The Phantom has girlfriends - he would need one to have an heir to pass the title to. The Phantom has always been a male. Given the long history of the character, the story can start in the 1800s, swing to the 1900s or even to 2007. It would be pretty cool to start the show and at the end of the first scene have The Phantom die. Audiences would wonder what the heck was going on - especially if they weren't familiar with the character. Then there is a new Phantom a couple of scenes later, carrying on the legacy. Since he is not a "super" hero, and he doesn't have gadgets, it's just a story of one man against evil.

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