#1
Posted: 8/3/08 at 9:09pm
Okay, so I love the music of the Phantom and remember loving it when I first saw the touring show, then Toronto when I was in eighth grade, then on the touring show again. This was before I was 15.
Imagine my surprise that, when I saw Phantom last year on Broadway, I was very underwhelmed. The show seemed overlong, bloated and the actors seemed to have been there far too long, and a bit hammy. The music still rocked, the set-pieces were great, but I just wasn't awed and kind of let down. Kind of meaning majorly. Everyone has had this experience: loving something completely during your childhood and, upon revisiting when you are an adult, not loving it as much.
Then I saw Phantom in Las Vegas.
I'm in love again.
The show is 90 minutes, no intermission.
Every possible bit of fat has been cut from the show.
The acting seems better: Younger and more vivacious.
It's a completely different chandelier that is bigger (the Phantom actually gets on it and hangs from it for a bit in one of the added moments to this production) and falls much differently than the Broadway version (straight down and stopping just feet above the audience's head level).
The theater is better: there are faux theatrical boxes filled with wax dummies that line the walls and watch the spectacle with us.
The music is still phenomenal.
The set pieces are bigger. The staircase for "Masquerade" is HUGE and fileld with even more dummies in costume: It takes your breathe away. The Phantom's traps near the end are more ingenious and, again, bigger. There is a set of the entire exterior of the opera house in this one, complete with fireworks.
Now that I've seen the Las Vegas Phantom, I've fallen in love with Phantom again. That version IS the definitive version of Webber's Phantom of the Opera to me, and I will never sit through the bloated Broadway version again.
I cannot recommend highly enough that you go see it for yourself.
Imagine my surprise that, when I saw Phantom last year on Broadway, I was very underwhelmed. The show seemed overlong, bloated and the actors seemed to have been there far too long, and a bit hammy. The music still rocked, the set-pieces were great, but I just wasn't awed and kind of let down. Kind of meaning majorly. Everyone has had this experience: loving something completely during your childhood and, upon revisiting when you are an adult, not loving it as much.
Then I saw Phantom in Las Vegas.
I'm in love again.
The show is 90 minutes, no intermission.
Every possible bit of fat has been cut from the show.
The acting seems better: Younger and more vivacious.
It's a completely different chandelier that is bigger (the Phantom actually gets on it and hangs from it for a bit in one of the added moments to this production) and falls much differently than the Broadway version (straight down and stopping just feet above the audience's head level).
The theater is better: there are faux theatrical boxes filled with wax dummies that line the walls and watch the spectacle with us.
The music is still phenomenal.
The set pieces are bigger. The staircase for "Masquerade" is HUGE and fileld with even more dummies in costume: It takes your breathe away. The Phantom's traps near the end are more ingenious and, again, bigger. There is a set of the entire exterior of the opera house in this one, complete with fireworks.
Now that I've seen the Las Vegas Phantom, I've fallen in love with Phantom again. That version IS the definitive version of Webber's Phantom of the Opera to me, and I will never sit through the bloated Broadway version again.
I cannot recommend highly enough that you go see it for yourself.
Updated On: 8/3/08 at 09:09 PM