Why is Bernadette Peters GYPSY record-breaking?
Posted: 1/13/09 at 10:38am
Posted: 1/13/09 at 10:42am
Posted: 1/13/09 at 10:51am
Maybe because all the people who claim it was superior to the LuPone production sound like broken records?
Posted: 1/13/09 at 10:57am
Posted: 1/13/09 at 10:57am
It was superior
It was superior
it was superior
It was superior
Posted: 1/13/09 at 11:02am
But I'd like to know the answer as well.
Posted: 1/13/09 at 11:03am
It played about the same number of perfs as the Daly revival, but the ticket prices had inflated dramatically in the interim.
Posted: 1/13/09 at 11:04am
Posted: 1/13/09 at 11:09am
Posted: 1/13/09 at 11:09am
Posted: 1/13/09 at 11:13am
I won't get into the fact that I thought that that production was superior than the most recent incarnation, including said person that lead each production.
Posted: 1/13/09 at 11:16am
Posted: 1/13/09 at 11:18am
I didn't much like her performance, but she didn't miss that many performances altogether. If she did perhaps miss more performances than Daly or Merman, it wasn't by much.
I don't include LuPone or Lansbury in that list because they missed fewer than Daly or Merman. Of course, Lansbury played the shortest Broadway run and she missed no performances (and only one on the pre-Broadway tour, and that was pre-arranged). I don't know if Lavin missed any.
There were performances that Peters perhaps should have missed as she went on when she clearly was not up to it.
Anyway, I don't know the answer to the OP's question.
Posted: 1/13/09 at 11:32am
Momma's Goin' Strong: Gypsy Breaks All-Time Shubert Box-Office Record
Posted: 1/13/09 at 11:36am
Posted: 1/13/09 at 11:38am
Posted: 1/13/09 at 11:41am
Posted: 1/13/09 at 11:45am
The Kellow bio seems to say that she took off a few performances in February 1961 to be with her daughter after she had a child. But those were arranged in advance. And I think she may have missed a few others here and there, also arranged in advance.
Posted: 1/13/09 at 12:17pm
Also worth mentioning is that the production closed down for five weeks during the summer of 1961, giving Merman an extended vacation. Merman was extraordinary but she was also human.
Romano was apparently a major talent who might have had a big career had she not died of cancer when she was in her 30s or perhaps early 40s.
Posted: 1/13/09 at 12:54pm
It is true, however, that Merman rarely missed a performance due to illness and never just took random sick days. Legend has it she missed a few performances in SOMETHING FOR THE BOYS due to laryngitis, and a week from GYPSY. That's about all.
Also the 5-week shutdown of GYPSY afforded Merman a well-earned vacation, but also gave them time to move the show from the Broadway over to the Imperial. It’s possible that taking a 5-week break in the middle of the summer tourist season hurt the show’s momentum at the box office.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 1/13/09 at 12:57pm
Posted: 1/13/09 at 1:13pm
According to the Kellow bio, it was in August but he doesn't give exact dates. So it was early in the run, but probably at least a month after the recording was made.
He says that Merman's throat doctor had warned her that the keys were too high for her to sustain throughout a run, but she ignored his advice.
It seems that after Merman came back, the keys were lowered, explaining why what's in the published score is lower than what she sang on the cast recording.
Posted: 1/13/09 at 1:54pm
Interesting reading in this thread.
Posted: 1/13/09 at 3:44pm
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