Cats.
A Little Night music.. its amazing
Broadway Star Joined: 9/28/04
I've always enjoyed the overture over the opening credits of the film version of ANNIE. That big, brassy fanfare-ish intro leading into Aileen Quinn's vocals on "Tomorrow", and then finishing off with "I Think I'm Gonna Like It Here." Didn't Ralph Burns do the arrangements?
The Nightmare Before Christmas overture is actually really good.
I have to admit that since I saw the show, the opening guitar chords of "Love Is What I Do" from "The Wedding Singer" has been haunting me.
Broadway Legend Joined: 2/17/06
CURTAINS
CHITTY CHITTY BANG BANG
BEAUTY AND THE BEAST
LEGALLY BLONDE
THE PRODUCERS
SEUSSICAL (which is actually the Entr'acte in current productions)
SHE LOVES ME
A LITTLE NIGHT MUSIC (can't beat a vocal quintet singing with a Mendelssohn-size orchestra)
THE NIGHTMARE BEFORE CHRISTMAS
OKLAHOMA!
WICKED
CITY OF ANGELS
Stand-by Joined: 8/26/06
Leading Actor Joined: 3/23/07
The Flying Dutchman, or maybe Rienzi
amazing overtures
Gypsy and Follies--fantastic!
PHANTOM OF THE OPERA
GYPSY
GOLDILOCKS (Smaxie, isn't the whole score wonderful--I saw the show twice when I was a teenager. Elaine Stritch was great.)
WILDCAT
I HAD A BALL(Guilty pleasure)
Any Jule Styne overture, except for SUGAR.
ALL AMERICAN
Goldilocks is indeed a very enjoyable score, and it also has a truly funny script. The book resolves itself in about two seconds in the final minute, but otherwise, I think it's a really solid '50s musical comedy. And that Overture is a winner. I love when an Overture starts off like a house on fire, and the Goldilocks Overture really begins with a bang, with that furioso version of "The Pussy Foot".
Left off a particular favorite Overture on my earlier list: the '71 No, No, Nanette has spectacular orchestrations throughout by Ralph Burns and dance arrangements by Luther Henderson. The Overture is just beautifully crafted, culminating in a gorgeous version of "Tea for Two," with one of the two pianos going nuts with triplet runs up and down the keyboard. I always listen to that moment in admiration and awe. In terms of its sound, I think the '71 Nanette is the gold standard of what a big, splashy Broadway musical should sound like.
While not technically an overture, the Carousel Waltz
Curtains
Annie
the light in the piazza has the most beautiful overture that i have ever heard. It does everything an overture is suppose to, which most do not.
Gypsy. Duh.
Also love Light in the Piazza and Merrily.
the Pirate Queen
the Scarlet Pimpernel
Thoroughly Modern Millie
The opening for Dracula was perfectly creepy as well. Quite enjoyable.
The Sondheim Scrabble Concert/Sondheim: A Musical Tribute Overture...It was arranged by Jonathon Tunick, and at nearly 12 minutes it's INCREDIBLE!
Gypsy - no contest
Funny Girl
A Little Night Music
The Overture from the film version of West Side Story
What paradox_error and DrakAngel said.
No one likes the overture to Candide?
Stand-by Joined: 8/26/06
How could I have forgotten.. 3 of may favoirtes?? The Producers, Hairspay, and DoReMi??
Gypsy, The Light in the Piazza, Chicago.
Like everyone else, I will say Gypsy and the Light in the Piazza and add a vote for Funny Girl.
I have to admit I really like the Wicked overture also- thought it was better musically than a lot of the rest of the score.
Night Music, Piazza, Candide, and Phantom (even though I don't like the show, I have to admit I LOVE the overture)
Gypsy, Candide, and (my guilty pleasure) Dirty Rotten Scoundrels.
Broadway Star Joined: 3/17/05
I'm truly surprised no one has mentioned the fantastic overture to "Man of La Mancha". This is one of the best overtures in all Broadway history, in my opinion.
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