Profile for someoneinatree2

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and it's so squeezed-in down there! bizarre indeed.

scripps said: "I was there. It was electric. Des gave a lengthy speech at the end. All the best to this cast, especiallyAli. I cannot wait to see what he does next."

Let's finally bring Chess back to Broadway - Ali would sell the hell outta that score

You should! Sounds like my area has been sorely missing out.

Saw this both yesterday evening and last week -- got a journal in my Playbill last Monday, but did not get one last night. Seems they ran out sometime this past week and may not be planning to produce more for the final weeks.

 

Seen Illinoise three times now, and it remains one of the most moving, open-hearted productions I've ever seen. Hoping to go at least one more time, maybe I'll finally remember to bring tissues.

 

 

Word on the street is the current cast will extend for at least a few more months.

Very excited that this group will be the one to break the "one year" trend, if so. Seen them twice on Broadway and it's some of the best singing I've ever heard onstage. 

Could Herbie be Danny Burstein? Does "Honey Bun" in South Pacific count as drag?

God, imagine this as a Hytner's Carousel-sized revival at the Beaumont - the orchestra swells as the stage rolls forward to reveal Maria on the Austrian Alps...

"So Good So Far" from The Hello Girls is stunning. Each woman gets a verse and they come together with beautiful harmonies at the end 

No Growltiger or Pekes and Pollicles. Everything else seemed to be intact.

SisterGeorge said: "MezzA101 said: "Listen to the Best Tracks From 8 Tony-Nominated Show

https://www.nytimes.com/2024/06/13/theater/cast-albums-broadway-tony-awards.html?unlocked_article_code=1.zU0.e_03.zqmAgM237LWx"

I saw and loved HLL (10 years ago) and Wine and Rose off-broadway, and I'm excited to catch up withStereophonic and Illinoise on my NYC visit starting tomorrow. These "best tracks" though are still not moving meto spend money onW4E, Outsiders, HK, and Suffs. I do have one slot open, though, and realizingthat judging them divorced of their scores is hard, can anyone recommend which onemight be the most engaging on a dramatic/non-musical level. I'm leaning toward Suffs? (I'm also seeing EOTP, Cats, Ben Platt, and Christine Andreas).

"

If you're able to get a seat up a bit closer, I would actually recommend Water for Elephants -- The best part of the show is Jess Stone's kaleidoscopic approach to the story, and the main actors are doing some strong, grounded work amongst the spectacle of the acrobatics (particular shout outs to Paul Alexander Nolan, Isabelle McCalla, and Gregg Edelman). Seen it a few times now, and it's just gotten richer as the show has settled and steeped.

Looks cool! I'll be there tonight - first time at the Perelman. Will report back

everythingtaboo said: "Welp, the final nail in the coffin...

Paul Giamatti Boards ‘Star Trek: Starfleet Academy’

Starts filming late this summer."

 

What's John C. Reilly up to these days?

If the casting notice had been different, I would have loved to see Jeffrey Wright and Audra together onstage. 

"Beautiful City" from Godspell

"Migratory V" from Myths and Hymns

Saw Colton Ryan in concert a few months ago, and he mentioned that this was a dream show and role (or roles -- I remember him talking about both Homer & Floyd)