Profile for Call_me_jorge

Liam Oh from the Netflix series Boots and the Chicago Shakespeare production of The Notebook played Nick in this workshop! I’m a big fan of his, so I hope he continues with the show.

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Betsy Wolfe’s instagram bio: 

Madeline Jan 16- April 19

Only a three month run. I wonder if that’s also the end of Jenn’s contract.

Fordham2015 said: "That's a lot of composers. Also Jeremy Kushnier in the Robin Williams role"

A good number of them are holdovers from the film soundtrack/score. Seems like Blaemire and Kitt will be providing new/additional material.

There’s currently a workshop happening. Looks like they’ve started completely from scratch; there’s an entirely new cast and creative team.

Kathleen Marshall directs/choreographs, Book by Nick Blaemire, Music and lyrics by Blaemire, Tom Kitt, Van Hughes, John Legend, Mark Mancina, Bonnie McKee, Luke Reynolds, and Chris Trapper.

Talia Suskauer and Matthew James Thomas play the parents, Lyla and Louis.

I think Stranger Things closes around the 1 year mark, before they have to do any major recasting. 
 

I’m curious how much Wicked saved on advertising expenditures over the past month or so as the film rolled out into cinemas. 

I’m really curious what the true cost of Matilda would be if it were to open today. I seem to recall it being reported to cost 18 million and that was in 2012, or 25 million in today’s terms. The 35-40 million figure seems nuts to me.

Similar to Matilda, I could see this working well at the Shubert, unless they’re dead set on an ATG house.

If you’re seeing Sherie tonight, I’m curious to know if she has her own playbill with her above the title or if it’s just an understudy slip.

Kevin McCollum always plays the long game with his shows. He’ll keep this going, even at a loss, just in the hopes of scoring some Tony noms and wins. 

Paul Wontorek certainly has a take… talk about being tone deaf

 

witchoftheeast2 said: "Aren't first national tours usually Equity?"

Usually but not always. The current 1st national tour of Water For Elephants is non-equity.

I feel like the stop clause was used here… Bill Damaschke is a deep pocketed producer and would’ve kept it running through, at least, the Tony nominations.

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I recently received a playbill from the LA run of the show and I noticed that Warner Bros Theatre Ventures was an above the title producer. They were not credited during the Chicago engagement and browsing through the programs of engagements of the show since LA they have not retained a producers credit. Anyone have info on what this relationship between the original producers and Warner Bros entailed and why they received a producers credit for LA, but not for any other engagements?

I thought Austin Butler was eyeing a Carousel film remake. I think Corenswet would be more suited for Harold Hill than Billy Bigelow