Profile for Pernigraniline

Obviously just a promo for the new release of the album. I am very interested by them saying it reinstates cut music that was removed to make it fit on LP/CD before - there are some very audible harsh cuts on the releases so far - be very interesting to hear it, although why its taken until 2026 to go back to the master multi-tracks, when Sunset/Aspects/Starlight were done in the mid 2000s - with material reinstated. Adding POTO would have made more commercial sense?ALW has a mammoth archive ...

Definitely whistle. Aspects ate Ann Crumbs foot but the Whistle highway crushed the actors regularly, Heath and Safety Executive were involved, and Dean Collinson was severely injured and had a payout years after the show closed. There’s a very old thread on here with more information from people who worked on the show about the regularity of the incidents. "The entire stage floor was a big fake tarmac surface, like a motorway. Most of the time it was used just as a floor. During the train tu...

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The Original London production was VERY troubled - that multi-storey set with the freeway regularly crushed performers, leading to court cases with RUG and big payouts. Almost certainly didn't make profits, and stymied its transfer to Broadway.

Ke3 said: "I knows it's nothing in the long run but god does "The Musical" annoy me when there is no source material you're looking to differentiate from. "Chess: the Musical" We can infer that. What the hell else would it be? Chess: The Radio Play."Chess the actual game. US citizens/tourists could well get confused thinking its an actual game of chess (ew don't like chess), not a musical (yeh man I like musicals)

DeNada said: ". Fun fact - Anders Eljas also was one of the orchestrators for Carrie (I'd love to know which bits - did he do theincrediblebombastic orchestrations for Eve Was Weak, or was that Michael Starobin?).)."Stratford was solely Eljas, and Eve was Weak is Wagnerian and only slightly different to Broadway - I'd say Starobin was responsible for just tweaking Eve for Broadway, whereas other songs like Do Me a Favour were totally reorchestrated, Elljas had a strange electronic 80s weirdne...

Flyboy_46259 said: "I The greatest shame is that there is no official high quality recording of the production. "There are several, just not totally in the public domain. Theres several proshots of London at least held by CamMac/RUG, large chunks of which were released on the POTO film DVD as extras in the documentary, and the OLC has a large amount of filmed footage.

Theres not a central repository - but dedicated researchers could probably crib together a replica of the BIG shows from photos, archive material, newspapers, press kits, later productions filling in the blanks, ie the university replica of the OBC Oklahoma. But with cast members passing on, it would be much harder to do. I'd say you could probably put on a replica OBC Carrie currently as theres enough material in existence, and cast members, but putting on a replica Darling of the Day would ...

CATSNYrevival said: "Kind of sounds like the director went out of his way to make Ismay even more of a villain."See I think the opposite, it starts with Ismay utterly traumatised by what he has done.

Owen22 said: "Have you noticed every actor in the cast is (or looks) ten years younger than the character requires.. ?"Character requires? Norma is only around 50, Joe is mid-late 20s? Mayerling could be an "enfant terrible" director and be only 45-50. Its the previous ALW versions that have cast upwards.

People do walk into the stage version and have no idea that it has a different script to the film, with a different tone, and has those two 'nasty' little satirical songs in, and seeing real people dressed up as stormtroopers and saluting Hitler has a VERY different effect in person than on a grainy film. The Palladium/ALW show for instance turns the entire auditorium into a Nazi rally with swastikas dropping down from the ceiling and the audience held at gunpoint.Of course there needs to be ...

Until an election (or by election) is called for Sheffield,, he is free to perform still.

It was,it's just in Cameron's archive. He has proshots and soundboards of a lot of things.

OlBlueEyes said: "Now I’d like to hear that recording. I wonder if they kept the two adult songs that the film through out."Its available on CD and Download - and yes, "How Can Love Survive" was in it, not 100% Sure about "No Way to Stop it", which is the darker of the two songs.From an old BroadwayWorld post "The 1981 production had an on stage cast of 61. The pit orchestra was no less than 21." - Heavens

This is the man who had the stage of the Beaumont retract so the audience could see and hear the full South Pacific Overture, no?

The film rewrite does wonders for the material - which isn't the best book.The London revivals have always had something else going for them - the 80s version had PETULA CLARK never missing a performance, and using the aisle of the Apollo Victoria as the church (it was a MASSIVE production), and the 2000s version had an Andrew Lloyd Webber TV show winner in the lead.That production also had the most magnificent piece of staging for the final song festival. As we joined the Von Trapps on stage...

WhizzerMarvin TrinaJasonMendel said: "I always think of A Weekend in the Country when someone mentions the french horn.As for the banjo, the ultimate number must be Money to Burn from Half a Sixpence. As I understand Tommy Steele was an expert banjo player so they wrote him a specialty number to show off his skills. The number is pure delight on the OBCR. "Whilst it was probably written to show off Tommy Steele's skills, in Kipps, he does actually go out and buy a banjo!

It was rumoured never released due to Houston and Brandy being on different labels? Back in the Limewire days, there were clean tracks leaked on the P2P systems - whether or not they were real clean tracks, or extracted from the 5.1 tracks on the DVD I'm not sure - but there are effect-free versions floating around in illegal land.

It was rumoured never released due to Houston and Brandy being on different labels? Back in the Limewire days, there were clean tracks leaked on the P2P systems - whether or not they were real clean tracks, or extracted from the 5.1 tracks on the DVD I'm not sure - but there are effect-free versions floating around in illegal land.

'Sleeping Beauty' by Trisha Ward was due to open in Dublin, years ago, starring Ria Jones as an evil queen. There was a website with a cast album - I vividly recall Ria as an evil queen singing "It wasn't Me"... but its never been heard of since.