"All I ask of you is one thing: please don't be cynical. I hate cynicism -- it's my least favorite quality and it doesn't lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you're kind, amazing things will happen."
Conan O'Brien
Yes, THE CAROUSEL WALTZ is MORE than just an overture. It is a prologue to CAROUSEL that sets up story, characters, mood and tone WITHOUT A SINGLE WORD OF DIALOGUE!
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
As a fairly strong romantic classicist, I tend toward anything the Frederick Loewe wrote - especially My Fair Lady. But I also have a very soft spot in my heart for The King and I - which is still the most beautiful score for my taste.
I agree. The MAN OF LA MANCHA Overture announces that you are about to see a VERY intense musical with a foreign setting (snippets of foreign-sounding music heard throughout.) It rises and falls many times to indicate the numerous "up and down" plot changes to come. And its rousing climax? MAGNICENT!!!
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
We've already discussed MY FAIR LADY overture, so let's chat about THE KING AND I.
VERY majestic--sets tone perfectly and finds room to include snippets of all of the many score's popular tunes.
The conflict to follow (by Anna & The King) can be heard. Uses "Asian" music to identify locale. Ultimately, it announces that the show to follow will be WORTHY of your attention.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
As I have posted earlier, I love WONDERFUL TOWN and the overture is DYNAMITE!
It is so rhytmic and pulsating--it takes energy just to listen to it! You can almost HEAR the sounds of 1930s New York as you listen to the "big band" selections! The climatic finish leads perfectly into opening number, "Christopher Street."
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
Mary_Ethel: I don't particularly care for Wonderful Town's music as a whole with the exception of a few songs, but the overture is excellent! I love that old-fashioned sound, as in Millie and 42nd Street.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
Two choices for me, both because they have layers and layers of detail in the orchestrations:
Take Me Along - it's a Phil Lang masterpiece. The writing is so full and rhapsodic. The title song weaves through the entire Overture and then finally explodes at the end.
No No Nanette - The whole thing is perfection, with some of the finest orchestrations (Ralph Burns) and dance arrangements (Luther Henderson) of any show. But the Overture contains one of my favorite pieces of writing...a fantasia on "Tea for Two" where the two pianos are doing these exilirating runs up and down the keyboard. Wild stuff.