How much of HELLO, DOLLY did Herman write?
Posted: 9/12/06 at 9:57pm
According to many sources... Merrick had Herman confined in a hotel room on the road and had him write "Before the Parade Passes By" overnight, so I doubt your source is reliable.
Unless, Strouse and Adams were hiding under the bed...
Besides that song SOUNDS like Herman... and nothing like anything Strouse and Adams ever wrote.
EDIT: While we're on the subject, I had "heard" that Sondheim stole the Night Waltz in "A Little Night Music" from a student who showed him his work.
Should we believe that too?
blocked: logan2, Diamonds3, Hamilton22
Updated On: 9/12/06 at 09:57 PM
Posted: 9/12/06 at 10:18pm
Apparently, Strouse and Adams did write a song called "Before the Parade Passes By" at Merrick's behest, but Herman supposedly took the title but wrote his own song.
Updated On: 9/12/06 at 10:18 PM
Posted: 9/12/06 at 10:32pm
And the title song of the Richard Rodgers/Martin Charnin musicaL TWO BY TWO sounds an awful lot like "Elegance".
For that matter, "Easy Come, Easy Go" from Rodgers & Charnin's I REMEMBER MAMA sounds an awful lot like "Easy Street" from Strouse & Charnin's ANNIE.
Posted: 9/12/06 at 10:58pm
EDIT: smaxie... "conventional wisdom??"
blocked: logan2, Diamonds3, Hamilton22
Updated On: 9/12/06 at 10:58 PM
Posted: 9/12/06 at 11:47pm
Charles Strouse has written a letter attesting that Herman's BEFORE THE PARADE PASSES BY is his own creation. I believe it is included in the Herman bio, JERRY HERMAN: POET OF THE SHOWTUNE.
And while we're on the subject, TIME HEALS EVERYTHING and I'LL BE HERE TOMORROW (from THE GRAND TOUR) follow virtually the same harmonic progression.
Stinky Good-For-Nothing
Tuscaloosa, Alabama
Updated On: 9/12/06 at 11:47 PM
Posted: 9/13/06 at 10:13am
And yes, he got the title for BEFORE THE PARADE... from Strouse and Adams.
Let us not forget, DOLLY was a huge flop-in-the-making out of town. Merrick was not known for his loyalty and thought by "scaring" his writers and composers with being fires, he would get better work out of them. PARADE was written in Detroit, I think, and replaced a song for Vandergelder that ended Act One called, "Penny in my Pocket."
Posted: 9/13/06 at 10:43am
Yes, Merrill wrote "Elegance." And yes, "Dolly" was a huge hit.
But let me ask you this: Who wrote half the songs for "Fiddler" that same decade? Hint: It wasn't Bock and Harnick.
I'm just saying.
Posted: 9/13/06 at 10:54am
Also, I have it on good word that a recent Tony winner had most of its songs practically rewritten by the orchestrator because they were practically worthless as originally written. Whether it's true or not is just conjecture, but there it is.
Posted: 9/13/06 at 11:00am
Also, I have it on good word that a recent Tony winner had most of its songs practically rewritten by the orchestrator because they were practically worthless as originally written. Whether it's true or not is just conjecture, but there it is."
Oh, for Christ's sake, who are you talking about?
I assume you are alluding to Mel Brooks, and that certainly is the truth.
However, if I'm wrong, and you have the dirt, why on earth are you withholding it?
Inquiring minds want to know. It's a freaking website.
Posted: 9/13/06 at 11:02am
Wouldn't you want people to think YOU actually wrote a Tony-winning score?
As for Mel Brooks, I feel sorry for anyone who later wants credit for having ghostwritten that score.
Posted: 9/13/06 at 11:09am
Updated On: 9/13/06 at 11:09 AM
Posted: 9/13/06 at 11:09am
Wouldn't you want people to think YOU actually wrote a Tony-winning score?"
I'm not buying this. Here's the thing. It must suck for Jerry Herman that "Dolly" is not entirely his score. That said, it doesn't negate the fact that Herman wrote a mostly great score for "Dolly." He did. The score that he wrote is GREAT.
HOWEVER, if I were Herman, I'd be a bit ashamed. Because at least two songs of that score (and perhaps three) don't belong to him. And he continues to take all the royalties for them. Two songs have been conclusively proven to be Bob Merrill's, and one is rumored to be a Harnick and Bock.
I'm just saying.
Updated On: 9/13/06 at 11:09 AM
Posted: 9/13/06 at 11:26am
As for Two By Two and its title song, that was Richard Rodgers' revenge for hearing the melody to "Come take your medicine, Dear World" and finding it perilously close to "Oh, What a Beautiful Morning".
Sing them. They are very close, too close.
Posted: 9/13/06 at 11:27am
I'm simply saying what's to stop a person from pushing out a rumor that they wrote a significant portion of the music for a show that won someone else a Tony award? It certainly might backfire but it might also gain said person some notoriety as well.
But, back to the plot, as often as the Music Man/Loesser stories have circulated, I've never once heard anything about Fiddler.
Posted: 9/13/06 at 12:15pm
Posted: 9/13/06 at 12:17pm
Of course, I did hear that THE PRODUCERS' score isn't completely Brooks' - but that's obvious anyway.
Posted: 9/13/06 at 12:40pm
I'm simply saying what's to stop a person from pushing out a rumor that they wrote a significant portion of the music for a show that won someone else a Tony award? It certainly might backfire but it might also gain said person some notoriety as well."
I'm just saying spill the "rumor" or don't. How hard is that? The truth will always come out, this thread is proof of that. Again, do you have something to spill, or not?
Posted: 9/13/06 at 12:42pm
I have no patience for people on these boards who say "I know this but can't tell." Either tell, or don't.
Posted: 9/13/06 at 12:46pm
Now, HERE is something interesting.
Suskin was involved? How fascinating.
Posted: 9/13/06 at 1:00pm
ETA: Veuve, where did you copy that from?
Updated On: 9/13/06 at 01:00 PM
Posted: 9/13/06 at 1:03pm
The guy (or gal) who just implicated Suskin just dissapeared.
Come back, love. I just want to know.
Posted: 9/13/06 at 1:04pm
Posted: 9/13/06 at 1:07pm
Darling, I cut and pasted that from who knows where. I always cut and past everything.
It was a real cut and paste, however.
And I'm dying to know who from.
Posted: 9/13/06 at 1:10pm
As far as my reticence to "out" someone as a ghostwriter, I'd rather not. I see people who know them a lot and why would I start a rumor? My only real point was that it still apparently happens or is purported to happen.
BroadwayWorld TV