Worst Broadway Musical Season- Page 2

[Alex Kulak2]

Posted: 3/30/20 at 1:20pm

Boy, I wonder what's gonna be the worst season now...

[MollyJeanneMusic]

Posted: 3/30/20 at 1:41pm

Alex Kulak2 said: "Boy, I wonder what's gonna be the worst season now..."

First we have to figure out what to define as a "season" this year.  If it's just what's opened so far?  It's definitely a contender.  If it ends up being combined with next year's?  It could wind up being one of the best, most competitive seasons yet.  But of course, even the worst seasons have some highlights, critically or commercially - in this case, Moulin Rouge and Jagged Little Pill have become so popular and have enough critical praise for them to count as a highlight, and Tina's not far behind if only for Adrienne Warren.  It'll be very interesting to see what happens.  (Personally, I'd love for this season and next to be combined - imagine the Best Revival race!  Best Leading Actress in a Musical!  Best Choreography!)

[Jarethan]

Posted: 3/30/20 at 4:13pm

I have always thought that the worst season was the one in which Big River won, hands down.  Do you all remember Grind, Quilters, and Leader of the Pack?  Or Big River, for that matter.  I saw Grind, Leader, and Big River and hated the three of them.  Best thing about Grind: the set and Stubby Kaye.  Period.  Someone may have won a very undeserved award for best supporting actress because they had to give it to someone, as they eliminated the heading actor and actress categories.  Ridiculously, Mary Beth Peil was nominated for supporting in the lead role of Anna Leonowens in a second run of The King and I; she should not have eligible, since the very same production had played a few years earlier; it had toured and returned to Broadway.  I always assumed they were desperate to at least have that category.

The other atrociously bad season was the year Jerome Robbins' Broadway won.  They could only find two other nominees and one was a revue (Black and Blue).  Anyone remember Starmites?  Re Robbins...,I wanted to love it, but -- just like a ballet gala that has incredible dancers performing snippets of great ballets -- a sameness sets in and it got boring for me, midway through the first act.  That really was one of the biggest disappointments in my theatergoing life, and convinced me beyond the shadow of a doubt that I was sick of West Side Story, which (along with Fiddler) got the most time.  Even though it was well-received, it was still the only musical that got mostly positive reviews; and the only book musical with an original score was Starmites, which ran for 7 1/2 weeks.

Then there is the year in which Fosse won best musical.   IMO Fosse was the most awful 'best musical' I think i ever saw.  That is not the reason that I identify this as a bad bad season, though.  Its competition was Civil War, It Ain't Nothing But the Blues, and Parade, two of which ran less than 3 months, one for 9.  I have not seen Parade, and I know there are a lot of people who think it is a great musical.  Even if you take that as a given, it still adds up to a really crummy season IMO.  With Fosse, they took great numbers from Fosse's career and encased them with a lethargic, overblown, pretentious wrapper.

Then there is the year Contact won.  A fairly entertaining show, well done.  But, best musical???  Since its competition was Swing (mediocre), The Dead (a mildly enjoyable evening), and The Wild Party, which has its supporters, but which a lot of people hated, that translates into really bad for me.  And it came the year after Fosse won, which translates into a really dry period.

Finally, there was the year that Sunset Blvd won over Smoky Joes.  I hated Smoky Joe's and Sunset Blvd was flawed; however, it at least had moments of greatness for me, and I still think it is ALW's best score.  So, I will still list this below the other seasons.

 

If I had to pick one,I still think it would be the year Big River won.

[poisonivy2]

Posted: 3/30/20 at 4:54pm

How about 2010? The choices were Memphis, American Idiot, Fela, and Million Dollar Quartet. 

[Jarethan]

Posted: 3/30/20 at 5:45pm

poisonivy2 said: "How about 2010? The choices were Memphis, American Idiot, Fela, and Million Dollar Quartet."

This is going to sound hypocritical. I had no interest in seeing Felafels and American Idiot, both both were pretty highly acclaimed.  I did see Million Dollar Quartet, in summer stock at the Ogunquit Playhouse, and thought it was modestly enjoyable; also, it has clearly been an incredible success in tours, regional theatres, summer stock.  I liked Memphis, even though it did not cry out best musical.  IMO you have identified a weak season, but it would be a stretch to call it the worst (or even a worst).  

[alogan1814]

Posted: 3/30/20 at 6:50pm

MollyJeanneMusic said: "Alex Kulak2 said: "Boy, I wonder what's gonna be the worst season now..."

First we have to figure out what to define as a "season" this year. If it's just what's opened so far? It's definitely a contender. If it ends up being combined with next year's? It could wind up being one of the best, most competitiveseasons yet. But of course, even the worst seasons have some highlights, critically or commercially - in this case, Moulin Rouge and Jagged Little Pill havebecome so popular and haveenough critical praise for themto count as a highlight, and Tina's not far behind if only for Adrienne Warren. It'll be very interesting to see what happens. (Personally, I'd love for this season and next to be combined - imagine the Best Revival race! Best Leading Actress in a Musical! Best Choreography!)"

Yeah but like also imagine all the people and/or productions that are gonna get snubbed if they do combine.

 

[Someone in a Tree2]

Posted: 3/31/20 at 12:49am

I beg to differ with Jarethan about the woefulness of the 1985 season. I adored GRIND and really really loved at least half of BIG RIVER. The start of that raft down the Mississippi was thrilling and goose-bump inducing. (Act II slid deep into mediocrity, but what show doesn't have its slow spells?)

I'll readily admit that I was biased in both shows' favor because their sets were both so spectaular. I've often copped to the fact that an okay show with a great set moves way way up in my ranking of the night. (Conversely a good play with a lousy set is tough for me to recommend to friends.)

[Mister Matt]

Posted: 3/31/20 at 5:52pm

"How about 2010? The choices were Memphis, American Idiot, Fela, and Million Dollar Quartet."

Million Dollar Quartet was too small for Broadway as it was from its hugely successful run in Chicago, but still snagged a Tony for Featured Actor. Memphis was actually a solid conventional book musical with a decent score. Fela was the critical darling of the season and received out-and-out raves. And American Idiot was just flat-out brilliant. Easily my pick for Best Musical that season. A stunning artistic achievement. That season was nowhere near the "worst".

And I adore Big River. One of my favorite scores, in fact.

[ACL2006]

Posted: 3/31/20 at 7:02pm

This season may get merged into the 2020-2021 season.

[AADA81]

Posted: 4/1/20 at 1:16pm

bwayphreak234 said: "I know I'm probably in the minority on this, but I didn't care for the 2004-2005 season. I HATED Spamalot, disliked Spelling Bee, but I did enjoy Pizza and Dirty Rotten Scoundrels. I also loved Doubt. It just wasn't the most exciting season."

PIZZA was the best musical that year any way you slice it.  There was no topping it.