70, GIRLS, 70 would be a fabulous one night benefit concert. But I don't know anyone, including myself (a fan of K&E and the score of the show), who would want to sit through that book without wanting to smoke a serious amount of pot beforehand. There's no way. NO WAY.
FIORELLO!, again-- lovely concert. No revival. Not with that book.
CAMELOT, however, I would like to see revived, and by revived I mean, as it was originally written. Not "rethought" by some subpar, self-serving "genius" like Diane Paulus.
I just think the leading role of Fiorello is so embarrassingly underwritten, and that the book feels a little creaky. It baffles me that it won a Pulitzer. And I love HOW TO SUCCEED..., too, but that Pulitzer win baffles me, too. (Though it's been said that it was to make up for the fact that Burrows and Loesser were overlooked for GUYS AND DOLLS, a show that probably should have won the Pulitzer Prize.)
Soaring, I agree with those first three suggestions-- however, I'd rather wait for Lincoln Center to do MY FAIR LADY than see for a commercial producer to do a lousy job with it. I don't think LCT will do CAROUSEL or HAPPY FELLA again, since they've been involved with their respective recent revivals.
Sadly, I think the Encores! production of MOST HAPPY FELLA will be the last major New York staging we'll see for a while. It's just too expensive and ambitious a piece to put on for a long period of time.
There are also those shows that are great and were recently revived, but got disappointing or at least not top-notch productions. I'd love to see spectacular (like South Pacific revival quality) productions of these shows:
A Little Night Music Follies (I still really want to see a spectacular production of this so I can understand what all the fuss is about) Guys and Dolls How to Succeed... Pal Joey
HINT PRODUCERS-change the ending so they escape and live happily ever after (like wicked was smart enough to do) and forget the reincarnation theme that 90% of people in this country dont believe in, and this show could run for even longer than its four year initial run.
Finding another heather headley(saw her do this show five times-unbeleivably good) level crazy good Aida will be a must, not sure any of the young broadway current african american stars have the chops
I wish they would revive Chess and combine the successful elements of both the London and Broadway production into a new production. I have always thought, given the tremendous score, it was a shame that a show with such incredible promised never realized its' full potential.
I would also love to see a revival of Barnum with NPH as the title character.