Well, Jose,
Just because Blackface...or minstrelsy...was not an issue then does not give it any excuse to be right. It was still a form of racism, no matter what era.
Broadway Legend Joined: 12/31/69
between TCM and the Judy Duets on PBS this weekend, tv is as good as it gets. it's always judy day in my house and in my heart.
(how did liza mae become she who will not be named? Lizamort?)
(i think minstrelsy was issue # 357 on the list of things those concerned about racial equality had to worry about at the time. just keeping folks alive was #1 in some places.)
Yawper, my point was that Minelli was much involved with Garlands films pre-IN THE GOOD OLD SUMMERTIME.
What seems particularly twisted is right after Judy was finished with THE GOOD OLD SUMMERTIME and in a good frame of mind, Freed - almost sadistically - gives Judy her least favorite director, Busby Berkeley for ANNIE GET YOUR GUN. Could he NOT see that there would be troubles ahead?!
Freed may have been MGM's greatest producer of musicals, but when it came to Garland he was abysmally insenstive.
Had ANY other director been involved with AGYG, it's likely that Judy would have completed the film.
I still love THE PIRATE....but watching MEET ME IN ST. LOUIS for the first time recently I was really quite amazed at how NOT dated it is. What a great film!
The FIRST time?
Who knew you were such a virgin?
I so wish Judy had done Annie Get Your Gun.
M-G-M should have done anything to make it work.
What a waste.
Which would you rather have seen:
Judy's Annie Get Your Gun
Judy's Gypsy
Judy's Mame
PalJoey, I want all three.
OK, Annie Get Your Gun.
Which album do you wish she would have lived to record:
Judy Sings the Sondheim Songbook
Judy Sings Jerry (Herman, of Course!)
Judy Garland: The Music of Alec Wilder
Well you know what she said before she sang "Something's Coming" from WSS, yes?
I can't quote her exactly but she was asking for forgiveness (beforehand) because "the song has about a thousand Portuguese lyrics." :)
I had a feeling that was the line you were thinking of!
That line came up recently on my iPod, followed by "Another Hundred People" from the Brazilian cast recording of Company (one of my favorite foreign cast recordings)--in other words, a song that actually HAS a thousand Portuguese lyrics!
I was on the elliptical machine at the gym and almost screamed.
It will never happen again.
Broadway Legend Joined: 1/14/05
Glebb, do you know Pam Strobel from Exelon?
LOL, yes I do. Judy never met her.
Broadway Legend Joined: 1/14/05
Broadway Legend Joined: 9/13/04
Judy in Gypsy - looking at the work she did do I'm not sure how well she could pull this off - how many pushy, agressive songs did she sing, characters did she play? It was always 'woe is me' or 'Swanee/San Francisco'
Mame is probably what she would've done best.
Liza, on the other hand, could've kicked ass in Gypsy. Lorna seems more partial to Herman, but she did a nice job with "Children and Art" in her show.
What Judy had bottled up inside of her...
If she ever let it out, there wouldn't have been signs BIG enough.
There wouldn't have been lights BRIGHT enough.
Here she is, boys! Here she is, world! Here's Judy as Madame Rose...!
"And the TONY goes to....JUDY GARLAND... for FOLLIES!"
You KNOW how'd she'd sing it - every inflection, every nuance, every line.
Especially "I've lived through Shirley Temple..."
All of the Judy threads should be bumped for AndyHardy.
"One never knows, do one?"
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