No, the 50's were a little stale. I would go back to the 80's, at least. That's my point. I said "sensibility", not "style".
And, considering the big three are still Tap, Ballet and Jazz, until they add krunking to that list, it doesn't count. Count towards what? Are you saying those are the only three forms of dance? And you do know that krunking is a subgenre, right? Those were the "big three" for the golden ages of Broadway and Hollywood for a while, but in the world of dance performance, the "big three" (not "only three") are usually ballet, jazz and modern, but there is so much more in the encompassing world of dance and choreography. Not sure what last night has to do with the "big three" or why the Oscars are expected to censor their use of dance forms to exclude anything that is current. Are all the stylistic subgenres of the "big three" acceptable or are there unspoken rules on that as well?
Hey Diva, welcome to the 50s! Whoah-oh-oh-oh-ohhhh!
Jane - I didn't direct the 50s comment to you. I knew what you meant. You felt the music and the choreography were contradictory. I didn't, but I love when contrasting forms are brought together. Sometimes it works and sometimes it doesn't. Last night worked for me and I didn't find it spastic or distracting in the least. I just felt the movement and momentum of the dance was inspired by the music. I felt like I understood where the choreographer was coming from. The only part I found a bit distracting was when it got a little too literal in the Avatar sequence.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 3/8/10 at 02:05 PM