In many ways, this tour is a better tribute to Michael Bennett than the Broadway revival was. First off, it doesn't have to cope with the jaded Broadway audience's comparisons to the original production.
Next, it has terrific chemistry between Robyn Hurder and Sebastian La Cause as Cassie and Zach. He was a tough and sometimes nasty Zach, which gives the show bite. And when he made it all about Cassie having walked out on him, there was an element of vindictiveness that made his eventual choosing her a surprise--just the way it was written.
Robyn Hurder's "Music and the Mirror" was nicely sung and beautifully danced--a real pleasure. Her sadness at Cassie's not being able to act and not having become a star was sharply edged. I didn't expect to like her as much as I did.
When you have a good Cassie and Zach, the dynamics of the drama overall fall into place.
Shannon Lewis and Mindy Dougherty were excellent as Sheila and Val--with Lewis getting some surprising multi-leveled tones out of her one-liners. The boys were all good, especially Alex Ringler as a very statuesque Greg and Anthony Wayne as a big loud Richie.
Overall, the acting was good and the dancing spectacular.
My biggest beef with this company, like the Broadway revival, is that all the female voices sounded so shrill compared to the OBC. There is a vulnerability to the women's voices on the recording that I remember from sitting in the Newman and the Shubert--a throbbing, aching vulnerability. Now it's like they get those gals belting and belting HARD.
And I like belters!
But overall, I'm still glowing and I imagine that the ghost of Michael Bennett is smiling.
Updated On: 2/20/09 at 09:11 AM