A couple tries to get their four-year-old son into an elite private school and to come to terms with his gender identifcation. I found this an affecting play -- taut, well written, dramatically compelling. I felt empathy and understanding for all the characters, on and off stage. The show is a little slow getting into focus, but once it does, the dramatic tension builds steadily. It runs off the rails a bit in the final two scenes, as the tone shifts jarringly.
Carla Gugino continues to impress in a role of multiple complexities and shadings. Peter Grosz is just as good, and his mastery of nuance is superb.
It's well worth seeing.
Updated On: 6/9/13 at 07:42 AM