Backstage is a
Rave:
"...Since Van Heflin originated the part on Broadway in the 1955 one-act version, memorable Eddies have been created by Anthony Quayle (premiere of the two-act version, London, 1956), Raf Vallone (film version, 1962), Robert Duvall (Off-Broadway revival, 1965), Tony LoBianco (Broadway, 1983), Michael Gambon (London, 1987), and Anthony LaPaglia (Roundabout Theatre Company, 1997). Now Liev Schreiber, one of the few American star-level actors to return to the stage on a regular basis, sinks his teeth into this meaty steak of a character and has a regular feast.
His Eddie has a vulnerability and thoughtfulness often overlooked. You can tell he not only harbors sexual urges for his wife's niece Catherine but also loves her like a father. These conflicting emotions play across Schreiber's face as Catherine explains her growing love for Rodolpho, an illegal immigrant the family is protecting. Also watch as Eddie moves to a pay phone with the intention of turning his rival over to the authorities. His physical behavior is informed by his knowledge of the consequences of his actions: If he makes this call, he will be branded an informing rat, a fate worse than death in his clannish Brooklyn neighborhood. He's literally sickened by what he's about to do, but his passion drives him on. The whole performance is filled with such intimate details and grand yet believable gestures."
http://www.backstage.com/bso/reviews-ny-theatre-broadway/ny-review-a-view-from-the-bridge-1004061319.story
formally: BustopherPhantom
"My art belongs to Dada."
-Tom Stoppard, Travesties