How about a little love for the Cort, while we're at it? I always love going there. Because it's all by itself, it feels so welcoming. It used to be surrounded by four other theatres (Playhouse, Windsor/48th Street, Vanderbilt, Belmont), so as the last survivor, I also root for it.
Even though like most of the Shubert theatres, the interior got slathered with all-purpose industrial oatmeal colored paint sometime in the 1960s or 1970s, it still is an attractive theatre, with detailing like something out of a Fragonard painting. I think it's next on the list of Shubert theatres to be renovated (after the Belasco), and one hopes that the original color scheme, which I understand had lots of shades of blue, pink, peach and gold, will also be reinstated. It also has a unique proscenium, with tinted glass that used to be illuminated behind the terra cotta lattice work. (Some of the glass is still visible if you are sitting close up in the orchestra).
It's one of the few two balcony houses where the views from the mezzanine and balcony are not disastrous. It has a great house staff and crew as well.
And though it has seemingly earned the mantle of "last one picked" of Broadway theatres formerly held by the Nederlander and it has housed some dire tenants over the last 20 years, on the occasions when it
has had a star attraction, like The Blue Room with Nicole Kidman, You're Welcome America with Will Farrell, or apparently, the current A View from the Bridge, people have found the theatre without a problem.
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 12/30/09 at 11:22 AM