Anyone going to the first preview tonight? This is most definitely my most anticipated show this season.
I'll be there and am interested to see what Cumming does with this. I missed it at Lincoln Center, but only heard good things.
I'm seeing it on Tuesday night. A friend called out of the blue and asked if I wanted to see it. Very excited.
Swing Joined: 11/5/12
I'd love to see it. I'm curious about the location of the rush seats. If they aren't good I'm going to have to start saving for a good seat because I'm really intrigued by the concept...
Very excited to see this. I am actually auditioning for an amateur production of MACBETH tonight, so I am looking forward to see how the 2 productions compare. (I know that this will be quite different)
Well, thank you! Glad it worked. I just posted something along these lines on a Facebook post related to the subject:
"A Scottish gay
Does the Scottish Play
In a one-man way,
For a limited stay
On the Great White Way,
For enormous pay,
Especially for
Two shows a day!"
(It helps if you sing it to the tune of 'Grim Grinning Ghosts' from the Haunted Mansion.)
It was one of the best things I saw last year.
It was one of the best things I saw in years.
I can't wait to hear how this is! Macbeth has always been my favorite Shakespeare play.
Something wickedly entertaining this way comes, and not on a heath near Forres, but on the stage of the Barrymore.
As you walk into the lobby you see the call board that states: The roles of Macbeth, Lady Macbeth, Banquo and all other roles will be played by Alan Cumming. The false assumption to be made is that this is one-man show; it is not. There are two other actors, although they speak but only one or two lines of dialogue.
The play has been set in what appears to be an Eastern-Bloc Soviet mental institution during the 70s. The walls are covered in limestone green tiles, there are several beds, a bathtub, several evidence bags, three flat-screen TVs and a fresh set of clothes.
A bloodied Cumming is brought in and cleaned up. The two doctors observe as he recounts the tragedy that brought him to this place in a schizophrenic blaze of glory for 100 minutes.
Truly I can't say enough about his performance. It is masterful. Just sensational work. (It is also the first time King Duncan may ever have stolen the show in a production of Macbeth!!)
I loved so many moments, and I really don't want to spoil anything here. You really must just go and see it for yourself.
Of course Cumming is only one of the stars of the show, and he would be much less without the brilliant co-direction of John Tiffany. He first gave us the simplistic beauty of Once and then the glorious mounting of Glass Menagerie at ART, and then he pulls a rabbit out of a hat with this. If I saw his ideas on paper I would have laughed and said, "You're kidding, right? This will NEVER work." Well somehow he pulled off a high concept Macbeth with a precise vision that would have caused most directors to stumble and fall. This is very selfish, but I hope Tiffany never works outside of New York again!
I'm surprised how much I liked this. Very highly recommended.
One warning though- If you aren't familiar with Macbeth I would strongly suggest reading a summary before seeing it. It may prove to be quite confusing otherwise.
So does this mean it's Cumming vs. Letts?
Personally I thought those two were the best male performances of the year, with Nathan Lane, Seth Numrich and David Hyde Pierce being my other favorites. If I was making the Tony category for Lead Actor in a Play those would be my picks.
Broadway Star Joined: 9/13/09
Glad you liked it WhizzerMarvin TrinaJasonMendel, I was lucky enough to catch it last year and thought it was awesome. My only experience with Macbeth was with having to read it in school, years ago, either HS or JHS. So I did as you are suggesting others to do, familiarize myself again. Luckily last year there were 2 productions of Macbeth playing too, which I attended.
Alan Cumming is just fabulous in this role, it was like he took you with him to a dark place. I intend to catch it again.
So it's really Macbeth in its entirety?
King Duncan is such an underwritten role, having just experienced playing him and Old Siward in my University's production even though I loved the character. How did he make his Duncan so wonderful.
Luv2go, I'm glad you liked the previous incarnation. I would be curious to hear if they changed anything for the Broadway production.
ljay, The text has been cut, but a good portion of it is there. The section on the ingredients the witches put in the cauldron has been cut and other bits here and there. I would guess like 75% of it seems to be there?
E.Davis, Cumming plays Duncan like a silly, somewhat effeminate fop type. I've never seen the King played for such unexpected laughs before. It was a surprising break in the tension and had the audience cracking up!
So glad to hear god things? How was the ending staged (I know I'm asking for a spoiler)
I am going to try to get down there before graduation. I really need to see this, such a fresh and creative take on the characters and text it seems.
If you want to know the final staging...
SPOILERS**************
Cumming has stripped down to his underwear and is covered in blood. When he fights with Macduff he is strangled/drowned in the bathtub (which is also shown from an aerial view on the flat-screen TVs. Cumming holds his breath forever it seems as his legs and arms stop twitching and he holds still under the water.
When he comes out he puts the baby doll (who has been Malcolm) on a wheelchair, which he has been using as a throne, and gives a speech about "All hail the new king."
Then the two doctors enter and they sedate him and put him in bed. He looks at them and repeats what he says at the beginning "When shall we three meet again?" as if this story plays on an endless loop in this warped mind. Blackout.
^ I got chills just reading that. As always, thank you Whizzer for a detailed report!
Broadway Legend Joined: 10/20/05
Whizzer, how did the Porter scene go?
I saw this last year at Lincoln Center and it was absolutely incredible!
There has got to be some sort of acting technique to memorizing such a large portion of the play. Would he just use stage cues, and treat it like a series of monologues?
Ed, As I remember the Porter's monologue was cut. It's a shame because Cumming could have had a good time with it, but I understand that cuts to the text had to be made, and the Porter is an easy cut that doesn't disrupt the flow of the plot.
It's interesting how the three in "when shall we three meet again" has almost shifted to mean the patient and the two doctors, in this production of it.
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