I read a review of a Linda Eder recording where the critic postulated that her 7 year commitment to Jekyl & Hyde prior to it finally opening on broadway may be a record. She had different relationship to the composer than most performers, which certainly gives her an edge in this category.
So are their other performers that have stayed connected to a show through the entire development process until the broadway debut for a longer period of time?
Are you "SeeItLive" on IMDB :)?
I suppose you are dolbinau?
Aww. That's so cute.
"Aww. That's so cute."
Hahahaha, that was actually really funny!
Broadway Legend Joined: 5/5/08
Natalie Toro, Nick Wyman...about 6 years before "A Tale of Two Cities" made it to Bway.
(and I am almost sure I am missing some more...)
Updated On: 12/24/09 at 02:30 AM
There was also Kristin with Wicked. I believe she was with the show from the very first reading and of course the out of town San Fransisco production as well as opening the show on Broadway.
I know that at least Rick Lyon, and maybe a couple of other puppeteers that were in Avenue Q were with the show from the very first reading and various incarnations of the show including doing the show on Broadway.
"Natalie Toro, Nick Wyman...about 6 years before "A Tale of Two Cities" made it to Bway.
(and I am almost sure I am missing some more...) "
..9 years for Broadway. They were part of the workshops in 1999 if I'm not mistaken. Craig Bennett was involved for a while too!
Eder was involved with Jekyll also for over 9 years!!
This is sort on topic, but I believe it was Elizabeth Ward Land who stayed with every reincarnation of the Scarlet Pimpernel!
Montego Glover has been involved in Memphis since 2003: Seattle, La Jolla, North Shore and TheatreWorks. I'm not sure whether Chad Kimball also did the North Shore and TheatreWorks productions? I know he did Seattle and La Jolla for sure.
Chad did as well. There was an article in the NY Times I think this past week talking about how they were with the show since day one.
Jenn Damaino took over the role of Natalie damn early in the reading process (and is rumored to be leaving with her contract ending...supposedly Allie Trim has auditioned for the role).
Lea Michele was with Spring Awakening for a freakishly long time, even though I know she was not the original Wendla.
"Lea Michele was with Spring Awakening for a freakishly long time"
That is impossible since "Spring Awakening" had a relative smooth trip to broadway. And since, she was only 20 when it opened on broadway. I think we have established that "freakishly long" is somewhere around 7-9 years. No one in SA was involved with it, when Lea was 13 yrs old.
Once it got to the Atlantic it was relatively an easy move...but there were many workshops and readings. And I'm fairly sure she was only 14 when she was first working on the show.
And I didn't mean to imply it was AS long as the example in the original post....were we just trying to top or match that or talk about long connectitons in general?
Yeah, Lea herself said that she was fourteen when she began playing Wendla. That would have been in 2000. So, six years between her first reading with the show and the initial run at the Atlantic. And during that period there were many workshops and a ton of rewriting.
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