... sorry, something on TV distracted me. what were we talking about? the conversation seems to have drifted way off topic. wasn't this about actors and actors' training...
anyway, i was thinking of the way Roman Polanski's masterwork, based on Ira Levin's masterwork, parallels Hannah Arendt's memorable commentary about the banality of evil. How boring Roman and annoying Minnie Castevet and a coven of nerdy, unassuming people - a pair of spinsters, a retired dentist, a gynecologist near retirement, a doorman, a third rate Viennese painter (... wait, that's a different story altogether) - convince a selfish, bad actor to hand over the dullest woman in the world to become the mother of Satan's son! And Hellsmouth is a rundown apartment building on NY's upper west side (not the most appealing neighborhood at the time, but the homeland of Arendt's adherents, NY's educated liberal Jews). The way Polanski turns that building into a fully developed character in and of itself is remarkable! Don't you think?
Updated On: 7/18/07 at 03:03 AM