Thanks for all the positive feedback. You certainly know how to make a boy feel special. I usually trying to rank the shows from each trip in order of how much I loved/liked them. This time it’s a little difficult because while I’m not including concerts (Madonna, Ben Platt) in the mix, nothing is going to come close to my experience Thursday night at BAM. Also, as you’ll see the show that made my endorphins go crazy may not be the one that is technically the best constructed. But still, here we go. I don’t regret seeing anything. Also, while it’s sort of ridiculous to rank art against other art, my brain does it anyway.
1. Moulin Rouge! (M) - just ticked all the boxes for me. Totally exceeded all my expectations. I don’t know if I’d go again though as I don’t know if a second viewing could possibly surpass my first.
2. Hadestown (M) - I can acknowledge that this is technically a better show than MR in many ways. Interestingly, of the shows I saw this trip, this is the one I’d most like to revisit. That’s mostly because I had purposefully avoided studying the plot (wasn’t familiar with the myth) and only listened to OBCR once so I’d be surprised. I think I’d like to see the show again now that I’m more familiar with the plot/music. I still had a great time.
3. To Kill a Mockingbird (P) - great production. Great acting. But just as in the book and the movie (as I recall), it remains a story about racism that focuses almost entirely on the white characters.
4. Little Shop of Horrors (M) - just so so much fun! Groff and Blanchard (controversial I know) gave wonderful layered performances while Borle proved a worthy comedic foil in multiple roles, but especially the dentist. Also, bonus points to the most awesome stagedoor experience with Groff at stagedoor, including a hug, second only to that hug from Madonna. (The irony of this isn’t lost on me. Groff had unkind (and valid) things to say (uncharacteristic for him) about M after she reportedly looked at her iPad throughout the performance of Hamilton she attended. Also, ironic because of her ban of all digital devices on her Madame X tour).
5. Tootsie (M) - so so exceeded my expectations. I haven’t laughed this hard at a musical since Book of Mormon. Both Fontana and Stiles broke (started laughing) during scenes and we laughed right along with them. Audience demographic definitely leans in the direction of the geriatric and they seemed to be eating it up. I guess I’m joining their ranks. The fact that I enjoyed this that much after only 2 hours sleep (after Thursday’s Madonna concert, stagedoor at BAM, after party and adrenaline rush) really says something.
6. Betrayal (P) - superb acting. I have to say after the Madonna concert on Tuesday night, I was only functioning on about 3 hours sleep and that most likely adversely affected my appreciation of the shows I saw on Wednesday. This was my Wednesday matinee. I thought the individual scenes were great, but I feel that other than the backward chronology, it really didn’t add up to much, but I’m willing to allow that my sleep-deprived foggy brain missed some stuff. I was also getting a little sad that my trip was coming to an end and so seeing that sad play (albeit with liberal doses of humor) probably didn’t help that.
7. Oklahoma! (M) - I was really tired by the time I got to my Wednesday evening show and actually nodded off for a split second a couple of times or more during Act 1. And that plus seeing a rather depressing take on this American classic probably wasn’t my best pick for Wednesday evening performance when I waa already feeling a bit down and exhausted. Interestingly, I’d be interested in seeing this again when I’m less tired and my mood is different. I don’t get that chance on Broadway before it closes but it is starting the national tour in my city so I’ll most likely see it again then. I think that audiences here will not know what to make of it. If I was ranking the show itself and not my enjoyment of it, I’d rank this much, much higher. i’m still not sure if all the changes worked (although once I understood the context of the dream ballet, I totally loved it), but there was SO MUCH that it was sorta hard to take in on one viewing.
8. Sea Wall/A Life (P) - the first one act is underwritten. The second, while not perfect, was better written. Both men gave stunning performances. Jake’s brought me to tears more than once. This ranks lower solely because of the material they were working with although the production choices were spot-on and it was a treat to finally see Gyllenhaal live on stage.
So there you have it. Not a turkey in the bunch. I’ve also noticed that sometimes with shows later in my trips that they tend to get rated a little lower because I’m comparing them to shows I saw earlier in the trip. And shows that I see earlier on my trip tend to get rated higher perhaps because of the thrill of sitting in a New York City theater again bumps up my appreciation of whatever I’m seeing. Plus my sadness over my trip soon ending may lower my appreciation of shows toward the end of my trip. Doesn’t always work out that way. On one trip my next to last show was Come From Away which I was disappointed in and then my last show was Waitress which I loved. I also think it helps with Tootsie that it was an energetic, feel good musical which is exactly what I needed for my last night in New York City.
Updated On: 10/7/19 at 12:54 AM