tracker
Home For You Chat My Shows (beta) Register Games Grosses
pixeltracker

Am I the only one who thinks...

Am I the only one who thinks...

WiCkEDrOcKS Profile Photo
WiCkEDrOcKS
#0Am I the only one who thinks...
Posted: 3/17/05 at 10:07pm

...that Harper Lee's classic phenomenon of a novel TO KILL A MOCKINGBIRD should be a play? No music. I think that if done correctly obviously, this would be a wonderful play.
Thoughts?

Elphaba Profile Photo
Elphaba
#1re: Am I the only one who thinks...
Posted: 3/17/05 at 10:08pm

I thought it had been?


It is ridiculous to set a detective story in New York City. New York City is itself a detective story... AGATHA CHRISTIE, Life magazine, May 14, 1956

jjdude2000
#2re: Am I the only one who thinks...
Posted: 3/17/05 at 10:08pm

It is a play, isn't it?


Grace: I just gave a quarter to a homeless man. I think it was Johnny Depp.

StickToPriest Profile Photo
StickToPriest
#3re: Am I the only one who thinks...
Posted: 3/17/05 at 10:08pm

It already his.
There was a great production of it at Dallas Children's Theatre this past season.


"One no longer loves one's insight enough once one communicates it."

The opposite of creation isn't war, it's stagnation.

WiCkEDrOcKS Profile Photo
WiCkEDrOcKS
#4re: Am I the only one who thinks...
Posted: 3/17/05 at 10:09pm

Oh. Sorry. :-/ Did anyone see it then?
Updated On: 3/17/05 at 10:09 PM

pab Profile Photo
pab
#5re: Am I the only one who thinks...
Posted: 3/17/05 at 10:11pm


The Script


"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"

pab Profile Photo
pab
#6re: Am I the only one who thinks...
Posted: 3/17/05 at 10:52pm


Another place you can try


"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"

msutton
#7re: Am I the only one who thinks...
Posted: 3/18/05 at 11:18pm

I saw the Dallas Children's Theater production. It was pretty good considering the material: the stage adaptation isn't very good. A lot of times theaters will simply adapt the phenomenal film script to the stage (I saw one like that in Dallas a few years ago), which isn't exactly legal, but because they find the stage adaptation so awkward and dry. They have a relatively un-involved neighbor narrate the entire show instead of an older Scout. It's weird, and there's far too much exposition and 'cutesy' dialogue.

But, since it's official, I'm not sure if there's a chance that someone else will take a stab. I agree, it could be terrific, better even than the film (and its already great script could probably be bettered by something written truly FOR the stage), but the current version really doesn't come near fulfilling its potential.

bjivie2 Profile Photo
bjivie2
#8re: Am I the only one who thinks...
Posted: 3/18/05 at 11:28pm

INTIMAN Theatre Company (who presented the world premiere of Light in the Piazza) is doing the show as part of their American Cycle program. They're doing it in 2007 I think. They just did Our Town with Tom Skerritt as part of the program. Didn't see Skerritt in it, but it was a stunning show. Celia Keenan-Bolger (currently in Spelling Bee) was Emily. She was amazing.


Eeeeeeyyyyyyyyaaaaaaaannnnnddddd aaaaaaaiiiiiiiiyyyyyyaaaaaammmmmmmm teeeeeeeelllllliiiiiinnngg yyyyooooooouuuuuuuwwwaaaahh...

Parks
#9re: Am I the only one who thinks...
Posted: 3/18/05 at 11:38pm

I was considering going to see it, but for some reason didn't.


"If it walks like a Parks, if it wobbles like a Parks, then it's definitely fat and nobody loves it." --MA

CapnHook Profile Photo
CapnHook
#10re: Am I the only one who thinks...
Posted: 3/18/05 at 11:46pm

Yeah, its a play already. Becoming a very popular piece. I was just "Dill" in a production. We got GREAT reviews.


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle


Videos